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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| A design-led approach for transferring the embodied skills of puppet stop-motion animators into haptic workspaces | 3128 | Mariza Dima |
PhD |
2013 |
The University of Edinburgh | John Lee, Mark Wright |
Edinburgh College of Art |
haptics, animation, stop-motion, user interface design, HCI, experiential design, embodied cognition, |
| A developmental system for organic form synthesis | 3129 | Benjamin Porter |
PhD |
2011 |
Monash University | Jon McCormack, Alan Dorin |
Computer Science |
Morphogenesis, Developmental Model, Physical Simulation, Tetrahedral Mesh, Computer Graphics |
| A Field Guide to Exit Zero: Urban Landscape Essay Films, 1921 Till Now | 4063 | S Topiary Landberg |
PhD |
2020 |
University of California, Santa Cruz | Rick Prelinger, Jonathan Kahana, Miriam Greenberg, Scott MacDonald, Jennifer P |
Film & Digital Media |
city symphony, documentary, essay film, landscape, queer, urban |
| A historical enquiry into the animation unit, situated within the South African Broadcasting Corporation (SABC) 1976-1988 | 3563 | Shanaz Shapurjee |
MA |
2009 |
University of the Witwatersrand | Christo Doherty, Maureen Furniss |
Animation |
animation; television; apartheid; broadcasting; south africa; empirical; history |
| A Hyper-media & Project-based Approach to Music, Sound & Media Art | 3578 | Marinos Koutsomichalis |
PhD |
2015 |
De Montfort University | John Richards, Simon Emmerson |
Technology |
hypermediacy, sound art, music, media art, site-responsive, project, exploration |
| A INTERFACE NA E-HEALTH. Proposta de princípios de design para a credibilidade e a confiança. | 4000 | Andreia Pinto de Sousa |
PHD |
2017 |
Universidade de Aveiro e Universidade do Porto | Ana Margarida Pisco Almeida |
Departamento de Comunicação e Arte |
Interface, Human-Computer Interaction, Design Principles, Trust, Credibility, e-Health |
| A Machine that Dreams: An Artistic Enquiry Leading to an Integrative Theory and Computational Artwork | 3636 | Benjamin David Robert Bogart |
PhD |
2014 |
Simon Fraser University | Philippe Pasquier, Steven Barnes and Dr. Thecla Schiphorst |
School of Interactive Art and Technology |
Dreaming; Mind Wandering; Generative Art; Site-specific Art; Art-as-research; Cognitive Science |
| A Medium to Transform the Power of the Sun: Light, Space, and the Technological Apparatus | 4193 | Georgina Ruff |
PhD |
2020 |
University of Illinois at Chicago | Hannah Higgins, Elise Archias, Tiffany Funk,Daniel Sauter,Sjoukje van der Meulen |
Art History |
light space technology apparatus "László Moholy-Nagy" "Otto Piene" "Olafur Eliasson" "Bertolt Brecht" radio Baudry Comolli Foucault Agamben Deleuze dispositif "activated viewer" "Walter Benjamin" aura |
| A Method for the Analysis of Handmade Electronic Music as the Basis of New Works | 4036 | Ezra Jérémie Teboul |
Ph.D. |
2020 |
Rensselaer Polytechnic Institute | Curtis R. Bahn |
Electronic Arts |
|
| A Model of Sustainable Ecosystem for Software Development, Software Business and Music Education | 3810 | Lee Cheng |
Doctor of Philosophy |
2013 |
The Education University of Hong Kong | Samuel Leong |
Department of Cultural and Creative Arts |
software development, software business, music education |