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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Transparency, Cognition and Interactivity: Toward a New Aesthetic for Media Art | 3488 | Brigitta Zics |
PhD |
2008 |
University of Wales | Martha Blassnigg, Phil Culverhouse, Prof. Michael Punt |
Art & Technology |
interactive media art, cognition, consciousness, interactivity, technology, transparency, invisibility, immateriality, spectatorship, aesthetics, immersion, transparent medium, passive interaction, Transparent Act, Mind Cupola, affective environment, cogn |
| Travels in Intertextuality: the autopoetic identity of remix culture | 3489 | Joel Anthony Flynn |
Master of Applied Science |
2006 |
Simon Fraser University | Mike Dobson, John Bowes |
Interactive Arts and Technology |
: digital culture; psychology; emergence; value; method; metaphor |
| Tropism-oriented generative design: analogical models for heterogeneous goal integration | 3490 | Victor Bunster |
Master of Philosophy (MPhil) |
2011 |
The University of Melbourne | Bharat Dave, Stanislav Roudavsky |
Architecture |
generative architecture, design computation, tropism analogy, goal integration, social housing |
| Tuning Sensory Terroir: Mapping correspondences between sound and wine in a crossmodal art practice | 4226 | Jo Burzynska |
PhD |
2020 |
University of New South Wales | Douglas Kahn, Lindsay Kelley, Susan Bastian |
Art & Design |
crossmodal art, crossmodal correspondences, sound, wine, multisensory |
| Ubiquity and Fluidity | 3491 | Rob La Frenais |
Phd |
2005 |
Brunel University, London UK | Barry Edwards (Reader) |
School of Arts |
science, technology, performance, fluidity, ubiquity, practice-based, contestable data, microgravity |
| Un-Natural Histories: The Specimen as Site of Knowledge Production in Contemporary Art | 3644 | Helen Gregory |
Doctor of Philosophy |
2016 |
University of Western Ontario | Bridget Elliott |
Visual Arts/Visual Culture |
Natural History, Taxidermy, Bioart, Art-science Collaboration, Museum Studies, Natural History Collections, Natural History Specimens, Taxonomy, Cabinet of Curiosities, Chimera, Genetic Manipulation, Tissue Culture |
| UNCAGED: A novel, ‘telesymbiotic’ approach to bridge the divide between the physical world and the virtual world of computers? | 3492 | Ralf Nuhn |
PhD (practice-based) |
2006 |
Middlesex University, London (UK) | John Dack, Magnus Moar |
School of Arts |
Installation Art, Mixed Reality, Jean Baudrillard, sound, video, kinetic sculpture |
| Understanding | 3493 | So-young Park |
Master of Applied Science |
2006 |
Simon Fraser University | Ron Wakkary, Andrew Feenberg |
Interactive Arts |
Open work, Umberto Eco, Audience participation, Interactive art, Digital media |
| Understanding Fukushima. Designing for an embodied interaction with citizen science data | 3494 | Ben Dromey |
MA in New Media |
2012 |
Aalto University, School of Arts, Design and Architecture | Pipsa Asiala, Koray Tahiroglu |
Department of Media/ New Media |
Fukushima, ionising radiation, New Media, embodied interaction, phenomenology, Merleau-Ponty, citizen science, aes- thetics of interaction, sonification |
| Understanding Musicking on Social Media: Music Sharing, Sociality and Citizenship | 4096 | Raquel Campos Valverde |
PhD |
2019 |
London South Bank University |
Digital Ethnomusicology |
Musicking, Social Media, Digital Ethnography, Citizenship, Music |