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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Utopia of Aesthetic Technology | 3497 | hyunkyoung cho |
Ph.D in Engineering |
2010 |
Soongsil University, Seoul, Korea | Joonsung Yoon |
Digital Media |
the collaborative action of technology and human, the performative, beauty, desire |
| Telepresence: interaction and interfaces | 3422 | Yara Rondon Guasque Araujo |
PhD |
Pontifícia Universidade Católica de São Paulo - PUCSP | Artur Matuck, Frank Biocca |
Communication and Semiotics |
telepresence; interfaces; interaction |
|
| Surrogate Self | 3416 | Peter W. Coppin |
Master of Fine Arts |
1999 |
The University of Toronto | Simon Penny, Steven Kurtz, Bryan Rogers |
Fine Arts (Electronic and Time Based Media) |
telepresence, telepresence art, telerobot, robotics art, electronic media, cyborg, surragate self |
| Surrogate Self | 3416 | Peter W. Coppin |
Master of Fine Arts |
1999 |
Carnegie Mellon University | Simon Penny, Steven Kurtz, Bryan Rogers |
Fine Arts (Electronic and Time Based Media) |
telepresence, telepresence art, telerobot, robotics art, electronic media, cyborg, surragate self |
| Internal Networks: Telepathy Meets Technology in the Dream Pod | 3289 | Camille Baker |
Master of Applied Science, Interactive Arts |
SIMON FRASER UNIVERSITY, Burnaby, BC CANADA | Susan Kozel, Ron Wakkary, Diane Gromala (External) |
School Of Interactive Arts and Technology |
telepathy, embodiment, biosensors control, altered states of consciousness, media installation. |
|
| Latency: Music Composition and Technology Solutions for Perception of Synchrony in “ResoNations 2010: An International Telematic Music Concert for Peace” | 3299 | Sarah Weaver |
Master of Music in Music Technology |
2011 |
New York University | Robert Rowe, Reader: Morwaread Farbood |
Steinhardt School, Department of Music and Performing Arts Professions, Music Technology Program |
telematic, music, composition, technology, international, united nations, latency, peace |
| I Move In Decades | 3273 | Ellen Pearlman |
PhD |
2011 |
School of Creative Media, Hong Kong City University | Kenneth FIelds, James Parker |
Interdisciplinary Graduate Program |
Telematic Art, motion capture, data mapping, World Trade Towers, 9/11, Visual data, dance |
| I Move In Decades | 3273 | Ellen Pearlman |
PhD |
2011 |
University of Calgary | Kenneth FIelds, James Parker |
Interdisciplinary Graduate Program |
Telematic Art, motion capture, data mapping, World Trade Towers, 9/11, Visual data, dance |
| Programmoire: refiguring the archetype of the witch for a political agency in the technocapitalist present | 4289 | Batool Desouky |
Masters of Fine Art in Computational Art |
2020 |
Goldsmiths, University of London | Helen Pritchard |
Computing |
technology, magic, tech-magic, technosolutionism, agency, archive, magic squares, combinatorics |
| THE ROLE OF VIDEOGAM E GLITCH IN ADULT LEARNING | 3870 | Beatriz Albuquerque |
Ed. D. |
2018 |
Teachers College, Columbia University, New York. | Judith Burton, Richard Jochum |
Art & Education (Technology) |
Technology, Education, Adult, Art, Education, Glitch, Learning, Videogame |