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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Growing Semi-Living Art | 3266 | Ionat Zurr |
PhD |
2008 |
The University of Western Australia | Ian McLean |
Architecture, Landscape and Visual Arts |
tissue culture, semi living, bioart, art science, tissue engineering, tissue, extended body, ethics |
| A Crystalline Quilt for the Thick Present | 4022 | Ann Altstatt |
Master of Fine Arts |
2018 |
University of California, Santa Cruz | Franziska Pilling, Laurie Palmer, Yolande Harris |
Digital Arts and New Media |
time, quilt, trash, crystal, geology, landfill |
| A time phenomena study based on tabletop interaction | 3137 | Carles Sora i Domenjó |
Master thesis (MS) |
2009 |
Universitat Pompeu Fabra | Sergi Jordà |
Technology department |
Time, metaphor, tangible interaction, interaction design, cultural interfaces, tabletop interaction, moving images |
| Time and space compression in cyberspace art | 3476 | Avi Rosen |
Ph. D. |
2010 |
Tel Aviv University | Mordechai Omer, Gila Balas, Prof, Uri Shimoni, Prof. Nitzan Ben-Shaul |
Art Histort |
Time-space compression cyberspace art philosophy science new-media |
| Visualizing Time-Oriented Data in Virtual Reality: An analysis of Star Wars check-out history at the Seattle Public Library | 3990 | Junxiang Yao |
Master of Science in Media Arts and Technology |
2019 |
University of California, Santa Barbara | George Legrady, Marko Peljhan |
Media Arts and Technology |
Time-Oriented Data Visualization, Virtual Reality, 3D User Interface |
| Three-dimensional computer animation : Between tradition and artistic innovation | 3475 | Verónica CAMACHO CAMACHO |
PhD |
2004 |
UNIVERSITÉ PARIS 8 — VINCENNES SAINT-DENIS | Edmond COUCHOT |
Aesthetics, Sciences and Technologies of Arts |
Three-dimensional computer animation, numerical technologies, simulation, cinema |
| Dark Room Project | 3198 | Virginia M Madsen |
Doctorate Of Creative Arts(DCA) |
2001 |
University of Technology, Sydney | Norie Neumark, Stephen Muecke |
Dept. of Media and Text, Faculty of Humanities and Social Sciences |
Theories and cultures of listening and vision, radio and audio arts, television and virtual reality, Critical theory, media theory, Paul Virilio, Michel Serres, Jean-Francois Lyotard, sound studies, media studies, phenomenology of media. |
| New Storytelling Machines: Emergent Theatre and Digital Technologies | 3333 | Joe Wachs |
MA |
2005 |
The Gallatin School of Individualized Study at NYU | Barbara Rose Haum |
Performance and Technology |
THEATRE, PERFORMANCE, DIGITAL MEDIA, STORYTELLING, AVANT GARDE, VIRTUAL REALITY, MIXED-REALITY, INTERACTIVE DRAMA, DRAMATIC MEDIA, PERFORMANCE MEDIA, VIRTUAL THEATRE, DISTRIBUTED MEDIA |
| Virtual theatres | 3505 | Clarisse Bardiot |
Ph. D. |
2005 |
Sorbonne Nouvelle (Paris 3) / CNRS (Arias lab) | Béatrice Picon-Vallin |
performing arts |
theatre, new media, presence, telepresence, augmented stage, virtual, stage design, dramaturgy, spectator, actor, body |
| The theatrical experience as human transformation: theater and neuroscience of emotions | 3519 | Dorys Faria Calvert |
PhD |
2014 |
Christine Hamon-Siréjols |
Theater |
Theater, neurosciences, emotions, neuroplasticity, transformation, theater therapy |