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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| CRYOSPHERE: Frozen in Time | 3888 | Christopher ivins |
Master of Fine Arts |
2018 |
University of California, Santa Cruz | Elliot W. Anderson, Jeffrey Bury, David Dunn, Angus G. Forbes, Newton Harrison, Jennifer P |
Digital Arts and New Media |
Alaska, Antarctic, Arctic, Cryosphere, Glacier, Ice sheet |
| VERS UNE PENSÉE MUSICALE ORIENTÉE-SYSTÈME : l’œuvre musicale auto-organisante | 4321 | Phivos-Angelos Kollias |
PhD |
2017 |
UNIVERSITÉ PARIS 8 - VINCENNES – SAINT-DENIS | Horacio VAGGIONE |
Music Composition - Aesthetics & Interactive Music Technologies |
algorithmic composition, interactive composition, ecosystem composition, feedback instruments, autonomous instruments, complexity, cybernetics, system theories |
| Applications of Generative String Substitution Systems in Computer Music | 3155 | R. Luke DuBois |
Doctor of Musical Arts |
2003 |
Columbia University | Brad Garton, Fred Lerdahl, Jonathan Kramer, Paul Lansky, Perry Cook |
Music/Algorithmic Composition |
algorithmic composition, interactive computer music, string-rewriting, generative grammars, audio-visual interaction, multimedia performance |
| Towards a Model for Artificial Aesthetics: Contributions to the Study of Creative Practices in Procedural and Computational Systems | 3764 | Miguel Carvalhais |
PhD |
2010 |
University of Porto | Heitor Alvelos, Penousal Machado |
Art and Design |
Algorithmic, Art, Design, Digital, Ergodic, Generative, Media, Procedural |
| Algorithmic Landscapes: the use of Artificial Intelligence for Poetic Creation | Matheus Montanari |
Master's |
2020 |
University of São Paulo | Gilbertto Prado |
School of communication and arts |
Algorithms |
|
| The Theory of Algorithmic Form. Between an aesthetics and an ethics of algorithms: relations among image, enjoyment and action | 4125 | Eli Borges Junior |
PhD |
2020 |
University of São Paulo (USP) | Massimo Di Felice |
School of Communication and Arts / Communication Science |
Algorithms; image; enjoyment; ethics; aesthetics; digital networks; perception; action; digital technologies |
| All-Women Initiatives in Art and Technology 1986-2020. Atenea: Mentoring and Networking Project in STEAM | 4100 | Robles Mateo, Elena |
PhD |
2020 |
Universitat Politècnica de València | Lloret Romero, María Nuria |
Departamento de Comunicación Audiovisual Documentación e Historia del Arte / Digital Art Theory-History |
All-women, self-organized, initiatives, new media arts, art, technology, mapping, alternative art spaces, collaboration, segregation, ICT, digital age, virtual, community, network cultures, feminism, cyberfeminism, Atenea, STEM, girls, organizational, cur |
| Games of The Possibles. The creation of alternative video games between art, market and mass culture. | 4049 | Luca Carrubba |
Phd |
2019 |
Universitat de Barcelona | Laura Baigorri Ballarín |
Games Studies / Arts |
Altgames, art games, game-art, not-games, DIY, Queer Games Design, radical game design, feminism, post-marxism, technopolitics, open data |
| Your Divided Attention: Ambient Media art and Looking Sideways | 3511 | Brett Phares |
MFA |
2006 |
Hunter College | Tim Portlock |
Intergrated Media Arts |
ambient media art blindness senses mass narcissism everyday |
| The Regime of Amplification | 3645 | John C. Hopkins |
PhD |
2013 |
UTS & La Trobe University | Norie Neumark |
School of Communication, Arts and Critical Enquiry |
amplification, energy, entropy, presence, creativity, protocol, process, dialogue, system, pathway, mediation, media, flow, technology, networks, techno-social system, continuum-of-relation, encounter, participation |