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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Diffracting Painting: 'Mattering' as Reconfiguration of its Making, Understanding and Encountering | alberto condotta |
PhD |
2017 |
Birmingham City University | Johnny Golding |
Birmingham School of Art |
Aesthetics; Art Theory; Complexity Theory; Deconstruction; Painting; Theory and Practice of Visual Art; Art Encounters; Mattering; Practice-led Art Research; Sense of Self; Agential Realism; Diffraction; Phenomenology of Art; Radical Matter; Homage Art; Phenomenological Analysis of Art; Phenomenology of Painting |
|
| Infinitude: Investigating the Aesthetics of Complex Patterns through Printmaking | 4162 | David James Nixon |
Doctor of Philosophy |
2020 |
Griffith University | Ross Woodrow, William Platz |
Queensland College of Art / Printmaking |
Aesthetics; pattern; perception; printmaking; relief etchings; linocuts; synaesthesia; geometry; cosmology. |
| AFFECTS: Intermedial Images between Art, Philosophy, and Science | 3146 | Julainne S. Sumich |
Doctorate in Fine Arts |
2006 |
The University of Auckland, New Zealand | Carole Shepheard, Bruce MacDonald |
Fine Arts |
affect, intermedial, images of thought, autonomic response to novelty, conceptual fusion |
| Face, A Keyword Story: Metadata Prosthetics in the German Search for Facial Expression from Printed Media to Media Art | 3802 | Devon Schiller |
Master of Arts, Advanced |
2017 |
Donau-Universität Krems | Ana Peraica, Oliver Grau |
Image Science/Media Art Histories |
Affective Computing, Digital Archives, Digital Humanities, Facial Action Coding System (FACS), Facial Expression, Historical Psychology, Image Science, Metadata, Physiognomy |
| Affection Research Lab: Affection Stations & The Signal Archive | 3145 | Salvador Orara |
MFA |
2012 |
Art Center College of Design | Philip van Allen, Shannon Herbert, Elise Co, Mike Milley, Casey Anderson, and Norman Klein |
Media Design |
Affective Computing, Mythological Interaction, Sound, Noise |
| Affect and the experimental design of domestic products | 3613 | Guy Keulemans |
PhD |
2015 |
University of New South Wales | Katherine Moline, Anna Munster |
Art & Design |
afffect; design; products; experimental desgn; hylomorphism; sustainability; environment; production; consumption; consumerism; repair; anomaly, industry, manufacturing |
| Afjordance | 4196 | Rachel wolfe |
MFA |
2019 |
Independently created |
affordance, technology, vision, imaging, remote viewing, embodied cognition, algorithm, music, sound |
||
| Object Americana | 4120 | Jeffrey Geiringer |
MFA |
2020 |
Parsons, The New School | Colleen Macklin, Anezka Sebek |
Design + Technology |
AI art, AI, sculpture, 3D GAN, point-cloud GAN, machine-human collaboration, AI sculpture, 3D printing |
| Mežs | Rihards Vitols |
PhD |
2021 |
University of Washington | Afroditi Psarra |
Digital arts and experimental media |
Ai, ML, artificial nature, future of forests, soundscapes, speculative art, trees, digital art, |
|
| Project knole: An Autocosmic Approach To AuthoringResonant Computational Characters | 4211 | Robert Sherman |
PhD |
2021 |
Bath Spa University, UK | Kate Pullinger, Leon Watts |
Creative Writing and Human-Computer Interaction |
ai, storytelling, videogames, installation, heritage |