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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Aesthetics, Writing, Networked Computers | 3143 | Joerg Mueller |
PhD |
2005 |
European Graduate School (EGS) | Dr. Wolfgang Schirmacher, Avital Ronell, Diana Davis |
Communications |
aesthetics, aisthesis, computer, computing, intuition, cultural technology, writing, senses, sensible, complexity, logic of sensation, affection, cellular automata, Universal Turing Machine, cybernetics |
| WORLD SENSORIUM: The THEORY, PRACTICE and SIGNIFICANCE of THE WORLD SOCIAL OLFACTORY SCULPTURE | 3510 | GAYIL NALLS |
PhD |
2007 |
University of East London, London, England | Lizbeth Goodman (Ba, MA, MLitt, PhD), Phillipa Beale, Central Saint Martins and Duncan Turner, UEL |
SMARTlab Digital Media Institute & MAGICGamelab |
aesthetics, aromatherapy, art, behaviour and olfaction, consciousness, crowd theory, culture and scent, emotion and smell, environment field collection, essential oils, ethnographic methodology, ethnographic olfactory, fragrant pharmacy, healing, mass aes |
| Gaze Relations: Looking as Power | 3849 | Anthony Assi |
MFA Digital Arts and New Media |
2018 |
University of California, Santa Cruz | Edward Shanken, Elliot Anderson, Angus Forbes, Warren Sack |
Digital Arts and New Media |
Aesthetics, Art, Computer Vision, Critical Computing, Fashion, Gaze |
| Aesthetic Complexity: Practice and Perception in Art & Design | 3140 | Guy Birkin |
PhD |
2010 |
Nottingham Trent University | Judith Mottram, Terry Shave; Andrew Dunn |
Fine Art |
Aesthetics, complexity, art, perception, information theory, data compression, aesthetic measure, experimental psychology |
| Language, Memoru and Volition: Toward an Aesthetics of Computer Arts | 3297 | Jacob Thompson-Bell |
Ph.D. |
2002 |
OCAD University | Benjamin Binstock, Judith R. Weissman |
Art & Art Professions, Critical Studies area |
aesthetics, computer arts, process, language, memory, mnemotechnics, volition, embodied logic |
| Language, Memoru and Volition: Toward an Aesthetics of Computer Arts | 3297 | Jacob Thompson-Bell |
Ph.D. |
2002 |
New York University | Benjamin Binstock, Judith R. Weissman |
Art & Art Professions, Critical Studies area |
aesthetics, computer arts, process, language, memory, mnemotechnics, volition, embodied logic |
| Finitude, Possibility, Dimensionality: Aesthetics After Complexity | Mattia Paganelli |
PhD |
2017 |
Birmingham City University | Johnny Golding |
Centre for FIne Art Research, Birmingham School of Art |
Aesthetics, Contemporary Art, Complexity Theory, Diffraction, Dimensionality, Emergence, Feedback Loop, Finitude, Logic of Sense, Materiality, Possibility, |
|
| THE ROLE OF Interactivity IN THE ARTISTIC PROCESS OF WEB-BASED ART: CASE STUDIES OF THE DIGITAL MEDIA ART PIONEERS’ PRACTICES AND STUDIO TEACHING | 3746 | Chia-Ling Lee |
Doctor of Education in College Teaching |
2017 |
Columbia University | Richard Jochum, Lyle Yorks |
Art And Art Education |
Aesthetics, Digital art, Interactive art, Internet art, New media art, Studio teaching |
| Diagrammatic Media / Subjectivity—Ecology—Event / Generating Organizational Techniques Through Creative Practice for a Post-Medi | Garrett Johnson |
PhD |
2022 |
Arizona State University | Xin Wei Sha |
School of Arts Media and Engineering |
Aesthetics, ethics, Computer Science, Anxiety, diagram, Guattari, Interdisciplinarity, Research-Creation, slow |
|
| Aesthetics of seams. The emergence of media properties | 3623 | Alessio Chierico |
MA |
2016 |
Kunstuniversität Linz (Austria) | Christa Sommerer, Laurent Mignonneau, Martin Kaltenbrunner |
Interface Culture |
aesthetics, representation, interpretation, digital ontology, materiality, seamless, seamful |