Click on a column header to sort the table in ascending or descending order
| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| THE STRANGE DANCE: 9 EVENINGS: THEATRE & ENGINEERING AS CREATIVE COLLABORATION | 3684 | Robin Oppenheimer |
Dr. of Philosophy |
Spring 2011 |
Simon Fraser University | John Bowes, Jim Bizzocchi, Thecla Shiphorst |
School of Interactive Arts and Technology |
Art-and-Technology Histories; Creative Collaboration; Cybernetics; Boundary Object; Collaboration Aesthetic; Experiments-in-Art-and-Technology |
| Second Wind | 4012 | Anne Yoncha |
Master of Fine Art |
2019 |
University of Montana | Valerie Hedquist, s Bradley Allen, Mary Ann Bonjorni, and Albert Borgmann |
Fine Art |
art-science, ponderosa, digital sensing, kinetic, installation, landscape |
| Encountering Creative Moments within Interactive Environments | 4202 | Richard Kearns |
PhD |
2020 |
University of York | Mariana Lopez, Veronique Chance |
Film, Theatre, Television and Interactive Media |
Art, Art Theory, Interactive Art, Installation Art, Media Art, Audience Experience in Art Environments, Art and public Behaviour, Art and Technology, Embodied Interaction, |
| Art for Environment, Art for Sustainability: The Art/Science Divide and the Role of Art in Environmental Discourse | 3160 | Emma Arnold |
Masters of Science, Environmental Sciences, Policy, and Management (MESPOM) |
2009 |
Central European University | Alan Watt |
Department of Environmental Sciences and Policy |
art, art/science divide, environment, environmental art, problem-solving, sustainability |
| Art and Technology: coherence, connectedness, and the integrative field | 4124 | Carlos Augusto Moreira da Nóbrega |
Doctor of Philosophy |
2009 |
University of Plymouth - UK | Roy Ascott, Mike Phillips |
Faculty of Arts |
art, coherence, connectedness, field phenomenon, biophoton |
| Transforming Realities: integrated coastal zone management, sustainability, and connective aesthetics | 3485 | Tanja Geis |
Masters of Resource Management (MRM) in Marine and Coastal Management |
2010 |
University Centre of the Westfjords, University of Akureyri | Alan Boldon |
Marine and Coastal Management |
art, connective art, connective aesthetics, relational art, environment, sustainability, environmental management, integrated coastal zone management, systems thinking, stakeholder participation |
| From the Dark Room. Portuguese Video Art. | 3256 | Tânia Saraiva |
MA Contemporary Art |
2002 |
University of Manchester and Sotheby's Institute of Art | Mark Gisbourne and Tony Godfrey |
Contemporary Art |
art, contemporary, video, portugal |
| OPERATING IN MEDIA REALITY - FOR A CRITICAL PRACTICE IN INTERACTIVE IMAGES | 3344 | Samuel Bianchini |
Ph.D. |
2004 |
Université Paris 1 - Panthéon-Sorbonne | Anne-Marie Duguet |
Arts and Art Sciences |
Art, cooperation, image, installation, interactivity, media, operation, reality, representation, network. |
| Robotic Sculpture Development through Appropriated Choreographic Strategies, Facilitating Artistic Exploration of Visual Perception, Object-ness, and Symbiosis between Physical and Virtual Media | 3740 | Marco Pinter |
PhD |
2015 |
University of California, Santa Barbara | Marko Peljhan, Tobias Hollerer, Jane Mulfinger, Jack Loomis |
Media Arts & Technology |
Art, Cybernetics, Dance, Perception, Robotics |
| Bioglyphs: generating images in collaboration with nature's events | 3175 | Daro Montag |
PhD |
2000 |
University of Hertfordshire, UK | Michael Biggs |
Art |
Art, Ecology, Reconstructive postmodern, indexical, process, event |