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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Affective Enactive Systems in Art and TechnoScience: Vital Experiences of Displacement in the City | 3628 | Tiago Franklin Rodrigues Lucena |
PhD |
2013 |
University of Brasilia | Diana Maria Gallicchio Domingues, Ramesh Raskar |
Art Institute |
Art and TechnoScience. Bioart. Affective Enactive System. Displacements. Physiological Sensors. Ubiquity. |
| Converging Art and Science: Considering the Conditions in which Women and Girls enter STEM Subjects | 3800 | Bettina Forget |
MA Art Education |
2017 |
Concordia University, Montreal, Canada | Juan Carlos Castro |
Fine Arts, Art Education |
art education, STEM subjects, gender stereotypes, restrictive gendering practices, complexity theory, gender theory, feminist standpoint theory, institutional ethnography, performativity, communities of practice |
| Digitizing an Art Gallery - Process of Creation and Evaluation of the GAIA Virtual Platform | Rogerio Bordini |
PhD |
2021 |
University of Campinas | Cesar Augusto Baio |
Arts Institute |
art gallery; virtual environments; digital technologies |
|
| Gaming in Art | 3260 | Marc Boucher |
MAFA |
2005 |
University of the Witwatersrand, Johannesburg, South Africa | Christo Doherty |
Digital Arts |
art games, mods, videogames, new media, |
| Digitizing the Aura: A Systems Update for the Contemporary Art World | 4292 | Emilie Trice |
Master of Arts |
2020 |
University of Denver | Rafael Fajardo, Timothy Weaver, Shimelis Assefa |
Emergent Digital Practices |
Art history, Art market, Blockchain, Computational philosophy, Cybernetics, Networked cultures |
| Parafiction as Method and Matter | 4291 | Rebecca Smith |
Doctor of Philosophy |
2020 |
Liverpool John Moores University | Colin Fallows, Joasia Krysa, Mark Wright |
History of Art and Fine Art |
Art History, Artistic Practice, Contemporary Art, Digital, Fiction as Method, Internet, Matter, Parafiction, Technology |
| The Universe is My Laboratory | 4130 | Christopher Henschke |
Doctor of Philosophy |
2017 |
Monash University | Vince Dziekan, Mark Guglielmetti, Mark Boland |
Design |
Art Physics Philosophy |
| Nature as Discourse: A Co-evolutionary Systems Approach to Art and Environmental Design | 3647 | Susannah Hays |
Doctor of Philosophy, PhD |
05/01/16 |
University of California, Berkeley | Galen Cranz, Greg Niemeyer, Alva Noë, Richard Norgaard, Hertha D. Sweet Wong |
Interdisciplinary Studies / (Art, Environmental Design, Philosophy, English) |
Art Practice, Consciousness Studies, Ecocivility, Epistemics, Human Evolution, Sustainability, Transdisciplinarity |
| Inhabiting the Uninhabitable: Interdisciplinary strategies for creating other worlds | 3945 | Jane Grant |
PhD |
2018 |
University of Plymouth | Mike Phillips |
Art |
art science intuition neuroscience cosmology inhabitation other worlds science-fiction narrative |
| Mimesis as the Representation of Types: The Historical and Psychological Basis of an Aesthetic Idea | 3315 | Michael Ranta |
Ph D |
2000 |
Stockholm University, Sweden | Margaretha Rossholm Lagerlöf |
Department of the History of Art, |
Art theory, aesthetics, cognitive psychology, experimental aesthetics, history of aesthetics, mental representation, aesthetic preference, pictorial representation, prototypicality, schema theory, emotion theory, categorization, behaviourism |