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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Metaphors in the responsive artistic installations | 3666 | Josefina López Aguayo |
Fine Arts |
2016 |
University of Barcelona (UB) | David Casacuberta Sevila, Alicia Vela Cisneros |
Design and Image |
Art and cognitive science, responsive installations, conceptual art, methaphors, contemporary art |
| The Nonessential Essential | 3974 | Daniela Brill Estrada |
Masters |
2019 |
Universität für angewandte Kunst Wien (University of Applied Arts, Vienna) | Virgil Widrich, Bernd Kräftner |
Art and Science |
Art and Physics, particle physics, cern, fundamental forces, artistic research, scientific method, artistic method, force of embodiment, atomic reincarnation, quantum mechanics |
| The Renaissance of the Relationship Between Art and Science: Possibilities From Discussions Between the Codex of Galileo and Cigoli at the 17th Century | 3871 | Josie Agatha Parrilha Da Silva |
Dr. |
2013 |
State University of Maringá | Marcos Cesar Danhoni Neves |
Programa de Pós-Graduação em Educação para a Ciência - PCM |
Art and Science in the Renaissance. Science Education. Inter and Transdisciplinarity. Visual Arts. Art Education |
| The Technologies of Creativity: Connections between Art and Science in Contemporaneity | 3468 | Paz Tornero |
PhD |
Complutense University of Madrid. Spain | Lidia Benavides, Jaime Munárriz, e-mail:munarriz@art.ucm.es |
Fine Arts |
Art and Science, Technocreativity, Bio Art, Electronic Art, Interactivity, Digital Art History, Computer Art, Space Art, Artist as a research, Art practices. |
|
| [in]visible art: conspicuous making in an age of nano textiles | 4249 | Copland, Meredith Brice |
Masters Research - Master of Philosophy [MPhil] Fine Art |
2017 |
University of Newcastle | Andre Brodyk, Sean Lowry |
School of Creative Arts, Faculty of Education and Arts |
art and science; nano textiles |
| The artist as strategist - Topography in plastic creation in Paris at the beginning of the 21st century | 3819 | Julio Velasco |
PhD |
2017 |
Université de Paris 1, Panthéon Sorbonne | Olga Kisseleva |
Art and Art Sciences |
Art and strategy, Art districts, Art and territory, Berlin, Bogotá, Buenos Aires, New York, Paris, Artist in the Faubourg St. Denis, Nathalie Heinich, Nicolas Bourriaud, Jean-Philippe Antoine, Thomas Hirschhorn, Esther Shalev-Gerz, Pierre Huyghe, Olga Ki |
| EMERGENT OBJECTS AT THE HUMAN-COMPUTER INTERFACE (HCI): A CASE STUDY OF ARTISTS’ CYBERNETIC RELATIONSHIPS AND IMPLICATIONS FOR CRITICAL CONSCIOUSNESS | 3226 | Sherry Lynn Mayo |
EdDCT Doctorate of Education in Art Education in College Teaching |
2004 |
Teachers College Columbia University | Graeme Sullivan, Judith Burton |
Art and Art Education |
art and technology, art education, human-computer interface (hci), computer art, fine arts research, visual arts, project-based research, critical consciousness, qualitative analysis |
| Art and Technology in the Second Half of the 20th Century: The Code as Paradigm | 3689 | José Oliveira |
PhD |
2016 |
Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa | Margarida Acciaiuoli, Jorge Martins Rosa |
Contemporary Art History |
Art and Technology, Code, Technoculture, New Media, Systems Aesthethics |
| Emergent Economies of Art & Technology: Modes of Making, Circulating and Organizing in the Contemporary Condition | 4210 | Ashley Wong |
PhD |
2020 |
City University of Hong Kong | Damien Charrieras, Linda Chui Han Lai |
School of Creative Media |
Art and Technology, Digital Culture, Creative Economy, Cultural Production, Sociomateriality, Postcritique |
| Cross-Border Interludes: Entanglements of a Socially Engaged Art Practice | 4239 | Maria Michails-Posidis |
PhD |
December, 2020 |
Rensselaer Polytechnic Institute | Kathy High, Lawson, Shawn ; Vamos, Igor; Kinchy, Abby |
Arts |
Art and technology; Co-creation; Community art; Environmental art; Social practice; Socially engaged art |