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Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
---|---|---|---|---|---|---|---|---|
Latency: Music Composition and Technology Solutions for Perception of Synchrony in “ResoNations 2010: An International Telematic Music Concert for Peace” | 3299 | Sarah Weaver |
Master of Music in Music Technology |
2011 |
New York University | Robert Rowe, Reader: Morwaread Farbood |
Steinhardt School, Department of Music and Performing Arts Professions, Music Technology Program |
telematic, music, composition, technology, international, united nations, latency, peace |
Internal Networks: Telepathy Meets Technology in the Dream Pod | 3289 | Camille Baker |
Master of Applied Science, Interactive Arts |
SIMON FRASER UNIVERSITY, Burnaby, BC CANADA | Susan Kozel, Ron Wakkary, Diane Gromala (External) |
School Of Interactive Arts and Technology |
telepathy, embodiment, biosensors control, altered states of consciousness, media installation. |
|
Surrogate Self | 3416 | Peter W. Coppin |
Master of Fine Arts |
1999 |
The University of Toronto | Simon Penny, Steven Kurtz, Bryan Rogers |
Fine Arts (Electronic and Time Based Media) |
telepresence, telepresence art, telerobot, robotics art, electronic media, cyborg, surragate self |
Surrogate Self | 3416 | Peter W. Coppin |
Master of Fine Arts |
1999 |
Carnegie Mellon University | Simon Penny, Steven Kurtz, Bryan Rogers |
Fine Arts (Electronic and Time Based Media) |
telepresence, telepresence art, telerobot, robotics art, electronic media, cyborg, surragate self |
Telepresence: interaction and interfaces | 3422 | Yara Rondon Guasque Araujo |
PhD |
Pontifícia Universidade Católica de São Paulo - PUCSP | Artur Matuck, Frank Biocca |
Communication and Semiotics |
telepresence; interfaces; interaction |
|
Utopia of Aesthetic Technology | 3497 | hyunkyoung cho |
Ph.D in Engineering |
2010 |
Soongsil University, Seoul, Korea | Joonsung Yoon |
Digital Media |
the collaborative action of technology and human, the performative, beauty, desire |
The theatrical experience as human transformation: theater and neuroscience of emotions | 3519 | Dorys Faria Calvert |
PhD |
2014 |
Christine Hamon-Siréjols |
Theater |
Theater, neurosciences, emotions, neuroplasticity, transformation, theater therapy |
|
Virtual theatres | 3505 | Clarisse Bardiot |
Ph. D. |
2005 |
Sorbonne Nouvelle (Paris 3) / CNRS (Arias lab) | Béatrice Picon-Vallin |
performing arts |
theatre, new media, presence, telepresence, augmented stage, virtual, stage design, dramaturgy, spectator, actor, body |
New Storytelling Machines: Emergent Theatre and Digital Technologies | 3333 | Joe Wachs |
MA |
2005 |
The Gallatin School of Individualized Study at NYU | Barbara Rose Haum |
Performance and Technology |
THEATRE, PERFORMANCE, DIGITAL MEDIA, STORYTELLING, AVANT GARDE, VIRTUAL REALITY, MIXED-REALITY, INTERACTIVE DRAMA, DRAMATIC MEDIA, PERFORMANCE MEDIA, VIRTUAL THEATRE, DISTRIBUTED MEDIA |
Dark Room Project | 3198 | Virginia M Madsen |
Doctorate Of Creative Arts(DCA) |
2001 |
University of Technology, Sydney | Norie Neumark, Stephen Muecke |
Dept. of Media and Text, Faculty of Humanities and Social Sciences |
Theories and cultures of listening and vision, radio and audio arts, television and virtual reality, Critical theory, media theory, Paul Virilio, Michel Serres, Jean-Francois Lyotard, sound studies, media studies, phenomenology of media. |