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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| 3D Information Place: Architecture for Virtual Place-Making and Information Navigation | 3124 | Pei-Hsien Hsu |
PhD |
2009 |
Cambridge University | Francois Penz |
Architecture |
architecture, virtuality, place, information, navigation |
| EXPERIMENTAL ARCHITECTURES: Contemporary Creative Practices. | 3238 | Nuno Varela |
MA |
2009 |
Universidade de Aveiro | João Mota,PhD |
Communication and Art Department [DeCA] |
Architecture; Studio; Creativity; Experimental; Emerging Practices. |
| RESOUNDING THE VOICE. On repurposing the archival material of voice, from analogue to digital. | 4238 | Olivia Louvel |
Masters Degree |
2020 |
University of Brighton | Kersten Glandien |
Digital Music & Sound Arts Programme |
Archive. Resounding. Voice. Spoken Word. Digitisation. Musique Concrète. Sound Art. |
| AURA: Wearable Devices for Non-verbal Communication between Expectant Parents | 3169 | Marco Righetto |
MA, Interaction Design |
2011 |
Iuav - University of Venice | Gillian Crampton Smith, Philip Tabor, ptabor@iuav.it |
Interaction Design |
arduino, gillian crampton smith, graphic, interaction design, iuav, phil tabor, pregnancy, wearable computing |
| The Arena Spectacular from Ben Hur Live to Isles of Wonder: Adaptation, Post-cinema and the Postcivil | Richard Whitby |
PhD |
2016 |
Birkbeck, University of London | Barry Curtis |
The London Consortium |
arena, post-civil, adaptation, architecture, entertainment, digital, cinema, Ben-Hur, Batman, Olympics, regeneration, post-cinema |
|
| DIGITAL DYSTOPIA: Exploring the Side Effects of Media, Data, and Technology | 3983 | roya ebtehaj |
MFA |
2019 |
San Jose State University | Andrew Blanton, G.Craig Hobbs - Rhonda Holberton |
Digital Media Art |
Art - Technology - Social Media - VR - Data Visualization - Net Art |
| Foggy Pursuit of Ethical Response-Ability: Art and Science of Collecting Water from Fog | Anna Rewakowicz |
PhD |
2021 |
École Polytechnique | Frédéric Brechenmacher |
Laboratoire interdisciplinaire de l'École polytechnique en sciences humaines et sociales (LINX-SHS) |
Art & science collaboration, Water scarcity, Collecting Water from fog, Relational ethics, Community |
|
| Synthetics: an Archaeology of the Electronic Image in Australia, 1955-1975 | 3418 | Stephen Jones |
Ph.D. |
2006 |
University of Technology, Sydney (UTS) | Helen Grace |
Art History / Cultural Theory |
Art & Technology, electronic art, systems theory, video art, kinetic art, conceptual art, computer art, digital art, interaction, collaboration |
| Music to be seen. The Diatope (1978) by Iannis Xenakis | 3732 | Eleni Michaelidi |
MA Media Art Histories |
2011 |
Donau Universitaet Krems, Austria | Dimitris Charitos (external supervisor, University of Athens, Greece), "Prof. Oliver Grau (Donau Universitaet Krems, Austria) |
Department of Image Science (Bildwissenschaft) |
art & technology, visual music, audiovisual performance, digital art, installation, media art histories |
| Identification, description, classification and analysis of works based on artistic representation of brain activity data. | 4322 | Kepa Landa Maritorena |
PhD in Research in Arts and Humanities |
2016 |
University of Castilla-la Mancha, Fine Arts School of Cuenca | José Ramón Alcalá Mellado PhD |
Art |
Art and brain activity data, data visualization, BCI, Brain computer interface, bio-feedback, EEG, FMRI |