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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Schaulust: A Study in Light and Sound | 3692 | Mark Cetilia |
Ph.D |
2016 |
Brown University | Joseph Rovan, Todd Winkler, Ed Osborn, Shawn Greenlee |
Computer Music and Multimedia |
Computer Music, Multimedia, Structural/Materialist Film, Stroboscopic Light, Paracinematic Performance, Audiovisual Performance, Electroacoustic Improvisation, Structured Improvisation, Analog/Digital Hybrids, Experimental Electronic Music, Noise, Techno |
| Tanya Sheehan | 3419 | Tanya Sheehan |
PhD |
2005 |
Brown University | K. Dian Kriz, Mary Ann Doane; Jennifer Tucker |
History of Art and Architecture |
portrait photography, medicine, cultural authority |
| Expressive Processing: On Process-Intensive Literature and Digital Media | 3242 | Noah Wardrip-Fruin |
PhD |
2006 |
Brown University | Andries van Dam, Wendy Hui Kyong Chun, Robert Coover, David G. Durand, George P. Landow |
Special Graduate Study |
digital media, electronic literature, process intensity, story generation, artificial intelligence, expressive AI, computer games, cybertext, ergodic literature, expressive processing |
| Ubiquity and Fluidity | 3491 | Rob La Frenais |
Phd |
2005 |
Brunel University, London UK | Barry Edwards (Reader) |
School of Arts |
science, technology, performance, fluidity, ubiquity, practice-based, contestable data, microgravity |
| THE DIVINE GAZE OF THE BAZAAR The figurative power of divine Hind? iconographies and the artistic reproduction in 19th-20th century India | Chiara Marcenta |
MA History of Arts |
2020 |
Ca' Foscari University of Venice | Sara Mondini |
Fine Arts |
Mechanical art reproduction; Mechanical technology; India; Raja Ravi Varma; Walter Benjamin |
|
| Hypermedia Systems: The Creation and Interpretation of Concept-based Art | 3270 | Dew Harrison |
PhD Fine Art |
1998 |
CAiiA, University of Wales, UK | Roy Ascott, Mike Punt, Dr Suzette Worden |
Interactive Art |
Conceptual Art, Marcel Duchamp, Hypermedia, Mind-mapping |
| Anatomical Analogies: The Evolution of Harmony and Noise in relation to the Self and Society | 3752 | Raphael Arar |
MFA |
2014 |
California Institute of the Arts | Ajay Kapur, Mark Trayle, Tom Jennings, Norman Klein, Sara Roberts, Michael D |
Integrated Media / Music Technology: Interaction, Intelligence and Design |
Human Interaction, Data Visualization, Data Art, Interactive Art, Responsive Art, Participatory Art, Anatomy |
| Towards Autonomous Agents for Live Computer Music: Realtime Machine Listening and Interactive Music Systems | 3481 | Nicholas Mark Collins |
PhD |
2006 |
Cambridge | Ian Cross and Dr Alan Blackwell |
Computer Music |
virtual musicians, machine musicianship, interactive music systems, machine listening, beat tracking, musical agents, onset detection, perceptual attack time, audio analysis, autonomous agents |
| 3D Information Place: Architecture for Virtual Place-Making and Information Navigation | 3124 | Pei-Hsien Hsu |
PhD |
2009 |
Cambridge University | Francois Penz |
Architecture |
architecture, virtuality, place, information, navigation |
| What does the Internet look like?: Models of Planetary Scale Computation | 4307 | Ekaterina Kormilitsyna |
MRes ( Master of Research) in Art and Design |
2020 |
Cardiff Metropolitan University | Stephen Thompson |
Art & Design |
digital worldbuilding; politics; aesthetics; aesthetics of politics; digital agency |