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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Te Kore - Exploring the M?ori Concept of Void | Moana Nepia |
Ph.D. |
2013 |
Auckland University of Technology - Te Whare W?nanga õ Tamaki Makau Rau | Tina Engels-Schwarzpaul, Welby Ings, Wiremu Kaa |
Art & Design |
Te Kore - M?ori concept of void, nothingness and potentiality; Indigenous and M?ori epistemologies, kaupapa and tikanga M?ori; Inter-disciplinary and creative practice-led research; Mohi Ruatapu; Te Aot?warirangi; Ng?ti Porou; Ruawaipu; Rongowhakaata |
|
| Strange Relations. A design inquiry into infrastructure as topological place. | 3928 | Carl Douglas |
Doctor of Philosophy |
2018 |
Auckland University of Technology, Auckland, New Zealand | Tina Engels-Schwarzpaul, Ross Jenner |
Art and Design / Spatial Design |
Infrastructure; Public space; Landscape urbanism; Architectural theory; Architectural drawing; Auckland; Urban design |
| Motion Within Motion: Investigating Digital Video in Light of Substantial Motion | 3575 | Azadeh Emadi |
Doctorate of Philosophy (PhD) |
12/01/14 |
Auckland University of Technology, New Zealand | Tina Engles ShwarzPaul, Laura U.Marks (SFU-Vancouver), Dr. Geraldene Peters (AUT, New Zealand) |
Digital Media Arts and Cultural Studies (Faculty of Design and Crearive Technologies) |
Digital media; Moving image arts; Philosophy; Cultural studies; Persian Islamic philosophy; Film theory |
| Communicating Science: Explorations through Science and Art | 3517 | Eleanor Gates-Stuart |
2014 |
Australian National University | Susan M. Stocklmayer AM, David Lovell, Dr Rod Lamberts |
Australian National Centre for the Public Awareness of Science |
ScienceArt, Science and Art, Collaboration, Insects, Science Museums |
|
| Visibilities and Invisibilities of Wonder: A Practice-Led Exploration of Optical Image Systems | 4213 | Deirdre Feeney |
PhD |
2019 |
Australian National University | Helen Ennis, John Debs |
School of Art & Design, and Research School of Physics |
invisibility, visibility, wonder, natural magic, optical glass, device, optics, technology, instrumentation, technological device, contemporary art, media archaeology, history of technology, philosophy of technological object |
| Fieldwork – a conceptual methodology linking science and art. | 4275 | Donald Fortescue |
PhD |
2019 |
Australian National University | Christopher McAuliffe |
School of Art and Design / Visual Arts |
Antarctica, neutrino, South Pole, sculpture, sound, fieldwork, noise, signal, pareidolia, artefact, instrument, transcription, transduction. |
| Cross Connections:Online activism, real worldoutcomes | 3736 | Tracey M Benson |
PhD, New Media and Technology |
2010 |
Australian National University | Catherine Summerhayes |
New Media and Technology |
Internet, World Wide Web, Accessibility, Activism, Social Relations, Social Justice, Hacktivists,Online, Hackers, Identity, Net Activism, Tactical Media, Web Design, Virtuality, VirtualCommunities, Refugee, Borders, Alienation, Censorship, Blogging, Mass |
| Resemblance and Representation | 3387 | Ben Blumson |
PhD |
2007 |
Australian National University | Daniel Stoljar |
Philosophy |
Depiction; Pictures; Resemblance; Representation; Goodman |
| Bioart. An Aesthetic of Disorganisation | 3680 | Laura Benítez Valero |
PhD in Philosophy |
2014 |
Autonomous University of Barcelona | Gerard Vilar |
Philosophy/Aesthetics |
Bioart, Body, Life, semi-living-entities, Disorganisation, Bioplotics, Bioethics, Postnatural, Artistic research, estrangement |
| The Transcendental Nature of New Media Art: An Examination of the Gap Between New Media and Contemporary Art | 3981 | Katy E. Parsons |
MA |
2019 |
Azusa Pacific University | Daniel Siedell, Angela George |
Modern Art History, Theory, and Critique |
new media art , media art , time-based art , virtual reality , creative technology , installation methodology , immersive art |