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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Enmeshed Selves | 4219 | Nicole Clouston |
Ph.D. |
2020 |
York University | Barbara Balfour, Nell Tenhaaf, Natasha Myers |
Visual Arts |
Microbes; Lake Ontario; Mud; Collaboration; Soil; Water |
| Moving Through Images: Spectatorship and Meaning-Production in Interdisciplinary Art Environments | 4058 | Melanie Wilmink |
PhD |
2020 |
York University | Sarah Parsons, Dan Adler & Dr. Laura Levin |
Art History |
spectatorship, immersivity, exhibition space, gallery, cinema, stage, phenomenology |
| Mediating Poles: Media Art and Critical Experiments of the Polish Site, 2004-2009 | 3531 | Aleksandra Kaminska |
Ph.D. |
2012 |
York University | Janine Marchessault |
Communication and Culture |
Media Art, Public Art, Site-Specific Art, Poland, Art and Politics, Nation, Europe |
| The Radio of the Future Redux: Rethinking transmission through experiments in radio art | 3453 | Anna Friz |
Ph.D. |
2011 |
York University, Toronto | Steven Bailey, Jennifer Fisher, Dr. Janine Marchessault |
Joint Graduate Programme in Communication and Culture |
Communication and the Arts, Research-Creation, Radio Art, Transmission Art, Media Studies, Radio, Micro-radio, Sound Studies, Science Fiction |
| Dynamic Systems Aesthetics of Interactive Media in David Rokeby’s The Giver of Names | 3221 | Tabitha Minns |
Master of Arts |
2008 |
York University, Toronto, Ontario | Jennifer Fisher, Sarah Parsons |
Art History |
David Rokeby; dynamic systems; aesthetics; artificial intelligence; cognition; perception; mind; interactive art |
| Subjectivity and Synchrony in Artistic Research | 3869 | Johanna Schindler |
PhD |
2018 |
Zeppelin University, Friedrichshafen / Germany | Dr. Martin Tröndle, Dr. Claudia Mareis, Prof. Dr. Wolfgang Krohn |
Cultural studies |
artistic research, epistemic practices, ethnography, affordance, boundary objects |