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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Quality of Aesthetic Experience and Implicit Modulating Factors | 3694 | Wendy Ann Mansilla |
Philosophiae Doctor |
2013 |
Norwegian University of Science and Technology | Andrew Perkis, Touradj Ebrahimi, touradj.ebrahimi@epfl.ch |
Department of Electronics and Telecommunications |
Model of Aesthetic Evaluation, Quotidian Aesthetics, Pleasure Technologies, Implicit Experiences, Emotional Use of Colour, Exposure Effect, Human-Computer Interaction |
| Musical Composition Techniques of Maurice Ravel and Toru Takemitsu To Digital Cinema | 3624 | Wen-Shing Ho |
Doctor of Science |
2013 |
Waseda University, Tokyo Japan | Kohei Ando, Takashi Kawai |
Global Information and Telecommunication Studies/Screen Image |
Cinematic Language, Musical Notation, Digital Cinema, Jazz Improvisation,French Impressionist composer , Film Music, Toru Takemitsu, Takao Dancer, Thief, Water |
| A Speculative Assemblage: Design of Image-driven Interactive Experiences | Weidi Zhang |
PhD |
2022 |
University of California Santa Barbara | George Legrady |
Media Arts and Technology Program |
Assemblage |
|
| “OPEN DÉCIMA” (OPEN TEN-LINE STANZA). Study of the relationship between the HTML computer language and the ten-line stanza poetry. | 3979 | Viviana Álvarez Chomón |
Master of Media Arts |
2017 |
UCHILE. University of Chile | Valentina Montero |
Media Arts |
code poetry, Medial archeology, HTML |
| Movies on the hemispherical screen: Fulldome, animation and experimentation | Vitor Lacerda |
PhD |
2022 |
Universidade Federal de Minas Gerais (UFMG) | Maurício Silva Gino |
Programa de Pós-Graduação em Artes |
Fulldome; Hemispherical Screen; Expanded Cinema; Planetarium |
|
| Dark Room Project | 3198 | Virginia M Madsen |
Doctorate Of Creative Arts(DCA) |
2001 |
University of Technology, Sydney | Norie Neumark, Stephen Muecke |
Dept. of Media and Text, Faculty of Humanities and Social Sciences |
Theories and cultures of listening and vision, radio and audio arts, television and virtual reality, Critical theory, media theory, Paul Virilio, Michel Serres, Jean-Francois Lyotard, sound studies, media studies, phenomenology of media. |
| Neuroaesthetics as self-knowledge of the artist. Introspection as Methodology of analysis of artistic creativity. | 4181 | Vincent-Paul Lorne (Pierre d'Argyll) |
Ph. D. |
2017 |
Complutense University of Madrid | Dolores Fernández Martínez |
Painting and Restoration, School of Fine Arts |
introspection; art creativity; first-person analysis; autobiographic memory; neurophenomenology; neuroaesthetics |
| Microsound, spectra, and objectivity: tracing memetics in organised sound | 3711 | Vincent Giles |
Doctor of Philosophy |
2016 |
University of Melbourne | Peter Roger Alsop, Alistair Riddell |
Victorian College of the Arts |
memes; memetics; music composition; philosophy of organised sound; philosophy of intention and reception; organised sound; sonic art |
| Languages of Russian and Chinese narrative video art | 3544 | Victoria Marchenkova |
PhD in arts |
2013 |
RSUH | Kolotaev, Vladimir Alexeevich |
TV-, film and other Screen arts |
video art, contemporary art, Chinese art, Russian art, media, cross-cultural analysis, post-socialism, narrative |
| Tropism-oriented generative design: analogical models for heterogeneous goal integration | 3490 | Victor Bunster |
Master of Philosophy (MPhil) |
2011 |
The University of Melbourne | Bharat Dave, Stanislav Roudavsky |
Architecture |
generative architecture, design computation, tropism analogy, goal integration, social housing |