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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| How to Make Immersive Technologies More Equitable: Confronting the Medium’s Inherited Legacies and Role as Empathy Machine | 4212 | Anna Gedal |
MA in Media Studies |
2021 |
The New School | Fabiola Hanna, Amir Husak |
Media Studies |
Immersive technologies, Cultural production, Early 20th-century amusements, Colonial legacies, Antiracist allyship, Design justice |
| Score Following: An Artificially Intelligent Musical Accompanist | 3396 | Anna Jordanous |
MSc Artificial Intelligence |
2007 |
University of Edinburgh | Alan Smaill |
Artificial Intelligence |
score following, artificially intelligent musician, automatic accompaniment, hidden markov models, Max/MSP |
| Soil and the concept of “grounding” in art&science projects | 4304 | Anna Kaplan |
Master |
2021 |
ITMO University | Ekaterina Nikitina |
Art & Science in Natural Sciences |
soil, humus, posthumanism, new materialism, Dokuchaev, Vernadsky |
| THEORY of FLIGHT : a fantasia of avian obsession | 3696 | Anna Lindemann |
MFA |
2011 |
Rensselaer Polytechnic Institute | Michael Century, Kathy High, Shawn Lawson, David Rothenberg |
Electronic Arts |
multimedia performance, Evo Devo, evolution, development, biology, bioart, animation, theater, lecture, music, generative music, soprano, flight, bird, genetics, transgenics, gene regulatory networks, regenerative limbs, axolotl, chukar, scientific poetic |
| Cyber "Space": Exploring the Potential for Cyberdelic Art to Alter Implicit Ecological Perception | 4317 | Anna Linnea Strøe |
MA Art and Science, Distinction |
2021 |
Central Saint Martins, University of the Arts London | Heather Barnett |
Art and Science, Fine Arts Pathway |
Cognitive Neuroscience, Virtual Reality, Immersive Art, Philosophy, Spatial Cognition, Altered Consciousness |
| Foggy Pursuit of Ethical Response-Ability: Art and Science of Collecting Water from Fog | Anna Rewakowicz |
PhD |
2021 |
École Polytechnique | Frédéric Brechenmacher |
Laboratoire interdisciplinaire de l'École polytechnique en sciences humaines et sociales (LINX-SHS) |
Art & science collaboration, Water scarcity, Collecting Water from fog, Relational ethics, Community |
|
| Experiences from Designing a Wearable Interface For an Interaction through Breathing | 3237 | Anna Salmi |
MA in New Media |
2010 |
Aalto University, School of Art and Design, Department of Media, Media Lab | Marianne Decoster-Taivalkoski |
Department of Media, Media Lab, New Media |
wearables, wearable interface, wearable computing, wearable electronics, fashionable technologies, smart textiles, physical computing, embedded systems, bodily interaction, interactive installations, experimental sound installation, experience design |
| Caliban Robot: Artificial Stubbornness Evoked through a Shakespearian Character | 3181 | Annabel Castro Meagher |
MS in Applied Information Technology specializing in “Art and Technology” |
2005 |
Chalmers University of Technology | Mats Nordahl |
Art and Technology |
Robot, character, theater, Caliban |
| Emotion und ästhetische Erfahrung. Zur Rezeptionsästhetik der Video-Installationen Buried Secrets von Bill Viola. (Emotion and Aesthetic Experience. The Aesthetic Reception of Bill Viola's Video-Installations Buried Secrets.) | 3227 | Anne Hamker |
Dr./Ph.D. |
2003 |
Johann Wolfgang Goethe-University, Frankfurt am Main, Germany | Klaus Herding, Institute of Art History, J.W. Goethe-University, Wolf Singer, Max Planck Institute for Brain Research |
Art History |
video-installation, art, emotion, consciousness, aesthetic experience |
| Singing cells, art, science and the noise in between | 3403 | Anne Niemetz |
Master of Fine Art |
2004 |
University of California Los Angeles | Victoria Vesna |
Design|Media Arts |
convergence of art and science and technology, transdisciplinary interdisciplinary projects, collaborations, two cultures, NANO, The Dark Side Of The Cell, separation between the sciences and humanities, |