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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Artistic anti-fraud activism against online advance fee fraud | 3641 | Andreas Zingerle |
PhD |
2016 |
University of Art and Design Linz, Austria | Gitti Vasicek |
Department of Media |
419 scam, vigilante communities, artivism, computer mediated communication, scambaiting |
| A INTERFACE NA E-HEALTH. Proposta de princípios de design para a credibilidade e a confiança. | 4000 | Andreia Pinto de Sousa |
PHD |
2017 |
Universidade de Aveiro e Universidade do Porto | Ana Margarida Pisco Almeida |
Departamento de Comunicação e Arte |
Interface, Human-Computer Interaction, Design Principles, Trust, Credibility, e-Health |
| Latent State: a theoretical and practical study of Live Cinema | 3300 | Andres Colubri |
Master in Fine Arts |
2009 |
University Of California, Los Angeles | Erkki Huhtamo, Casey Reas, Jennifer Steinkamp, Daniel Shiffman |
Design Media Arts/Live Cinema |
Performance, Live Cinema, Real-Time, Space Shuttle, Challenger, Childhood |
| Machine Metaphysics: Descartes, the Mechanization of Life, and the Dawn of the Posthuman | 3307 | Andres Vaccari |
PhD |
2006 |
Macquarie University | John Sutton, Jean-Philippe Deranty |
Philosophy |
posthumanism, Descartes, science and technology studies, machine, organism, life sciences, scientific revolution, physiology, medicine, biology |
| Generative Art as Experiment | 3658 | Andres Wanner |
Master of Applied Arts in Visual Arts |
2013 |
Emily Carr University of Art and Design, Vancouver, Canada | Ingrid Koenig, Maria Lantin, Dr. Karmen Franinovi?, Dr. Chris Jones |
Visual Arts |
Mechanical drawing machines, Robotics, Art and Science, Generative Art, Appropriation, Glitch |
| The InterHarmonium : An Investigation into Networked Musical Applications and Brainwaves | 3441 | Andrew Brouse |
MA |
2002 |
McGill University | Philippe Depalle, Bruce Pennycook |
Music Technology |
Brainwaves, Networks, Music |
| Playtime in the White Cube - game art: between interactive art and video games | 3363 | Andrew Hieronymi |
Masters of Fine Arts (MFA) |
2005 |
University of California at Los Angeles (UCLA) | Erkki Huhtamo, Casey Reas, Victoria Vesna, Mark Hansen |
Design|Media Arts / New Media |
game art, video games, interactive art |
| Evolving Performance Control Systems for Digital Puppetry | 3234 | Andrew Joseph Alexander Gildfind |
Doctor of Philosophy |
2001 |
RMIT University | Ghassan Al'Qaimari, Michael Gigante |
Computer Science |
Performance animation, motion capture, performance control systems, puppetry, interactive evolution, genetic programming, adaptive user interfaces, usability, human-computer interaction |
| Interpreting Electroacoustic Audio-visual Music | 4276 | Andrew Knight-Hill |
PhD |
2013 |
De Montfort University | Leigh Landy, Bret Battey |
Music |
Practice Research, Audience perception, interpretation, meaning |
| Towards a sciart prospectus for climate change | 3479 | Andrew Ormston |
MSc Environment, Culture and Society |
2011 |
University of Edinburgh | Emily Brady |
Geoscience |
sciart; scientist and artist collaboration; interdisciplinarity; polar art; visualization; communication of science |