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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Small Diffusion, Big Impact: Composing Immersive Acousmatic Music for the Non-Ideal Listening Space | 4161 | Alexis Weaver |
Master of Music (Composition) |
2020 |
University of Sydney | Benjamin Carey, Daniel Blinkhorn |
Music |
acousmatic, electroacoustic, diffusion, immersion, composition, accessibility, non-ideal, |
| Employing Natural History Collections in the Aid of Conservation: Streamlining an Approach to Model Species Distributions En Masse for the Preservation of Biodiversity | 3929 | Alice E. Fornari |
MA |
2018 |
University of San Francisco | Marjorie Schwarzer, David Saah |
Museum Studies |
Museum Studies, Natural History Collections (NHCs), Geographic Information System (GIS), Species Distribution Model (SDM), Maxent, Presence-Only Data, Biodiversity Crisis, Conservation Biology. |
| Performing the Flesh: Subject/Object Oscillations of the Body | 3885 | Alice Weber |
MFA Choreography |
2018 |
Trinity Laban Conservatoire of Music and Dance | Tony Thatcher and Marina Collard | ||
| Auditory Subcultures and Sonic Flights: In Between Sound and Space | 4143 | Alifiyah Zulfiqar Imani |
Master of Arts, Media Arts Cultures |
2019 |
Aalborg University | Morten Søndergaard, Paul Oomen |
Sound Studies, Media Arts Cultures |
sound, space, spatial sound, auditory subculture, aural architecture, reflective practice reflection-in-action, practice-based, sonic environment, sound object, acoustics, listening, ecology |
| Imagens e sons em loop: tecnologia e repetição na arte / Images and sounds loops: technology and repetition in art. | 3275 | Aline Couri Fabião |
masters |
2006 |
Federal University of Rio de Janeiro - ECO/UFRJ | Andre de Souza Parente |
Communications and Culture |
image, sound, art, technic, culture, technology, repetition |
| to a Place: immersive spatial experience synthesised from light and sound | 4187 | Alperen Sahin |
Master of Fine Arts |
2020 |
The Eugeniusz Geppert Academy of Art and Design in Wroclaw | Dominika Sobolewska, Zofia Reznik |
Visual Arts / Interior Design |
installation, performance, audiovisual, generative, darkness, sublime, spatial art, unknown, light, shadow |
| An intricate Ensemble : The Art-Science of an Ecological Imaginary for the Anthropocene Epoch | 4051 | Alyce Santoro |
MA |
2019 |
Rhode Island School of Design | Damian White, Thomas Doran, Winifred Lambrecht |
Nature-Culture-Sustainability Studies |
environmental humanities, transdisciplinary, social imaginary, social ecology, philosophy of science, Romantic Naturalists, sci-art, Dada, Surrealism, improvisation, experimental music |
| Prototypes and archetypes of the representation of sleep paralysis: an artistic approach | 4178 | Amaia Salazar |
Ph.D. in Arts |
2021 |
Complutense University of Madrid (UCM), Spain | Tonia Raquejo Grado |
Department of Sculpture and Artistic Education / Specialization: Photography - Art History - Psychology - Anthropology |
Sleep Paralysis - Perception - Imagination - Henry Füssli - Prototypes - Sensory experiences - Photography |
| Women Online: Is self-representation enough to tip the scales of femme visibility within dominant cultural narratives? | 3775 | Amanda Stojanov |
Master of Fine Arts |
2017 |
University of California Los Angeles | Jennifer Steinkamp, Henri Lucas, Chandler McWillaims |
Design Media Arts |
women, online, self-representation, femme, visibility, digital, narratives, narcissim, power |
| Studio Bench: the DIY Nomad and Noise Selector | 4033 | Amit D Patel |
PhD |
2019 |
De Montfort University | John Richards, Leigh Landy |
Music |
sound, making, noise, studio, DIY, nomad, object, live, practice, music, Studio Bench, Noise Selector, DIY Nomad. |