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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Working Through: Characterising and Evaluating Skill with Digital Musical Interactions | 3851 | Adnan Marquez-Borbon |
PhD |
2013 |
Queen's University Belfast | Paul Stapleton, Michael Gurevich |
Sonic Arts Research Centre |
Interactive digital music systems, interaction design, skill, human factors, qualitative research |
| The Live Electronic Processing of Sound: New Practices on Musical Variation. | 4333 | Adolfo Núñez |
PhD |
2021 |
Universidad Autónoma de Madrid | Yvan Nommick |
Music |
Music for instruments and electroacoustic sounds, mixed music, electroacoustic music, analysis, live sound processing, real time sound processing |
| Design: interface of contemporary culture | 3204 | Adriana de Souza e Silva |
Master of Arts (MA) |
1999 |
Federal University of Rio de Janeiro (Brazil) | Katia Valeria Maciel Toledo |
Communication and Image Technology |
graphic design, deconstruction, typography, Internet, multiuser environments |
| A Perceptual Approach to Audio-Visual Instrument Design, Composition and Performance | 3727 | Adriana Sá |
PHD |
2016 |
Goldsmiths, University of London | Atau Tanaka, Mick Grierson |
Dep. of Computing |
NIME, audio-visual performance, music, 3D environments, perception, attention |
| New media art in Central and Eastern Europe in the 2000s | 3331 | Agnieszka Pokrywka |
Master of Arts |
2009 |
Poznan Academy of Fine Arts | Grzegorz Dziamski |
Art Criticism and Promotion |
new media art, cee, central and eastern europe, network society |
| PARABOLA-IMAGO: Creative Transmutations between Verbal and Visual Signs. PARABOLA-IMAGO: Transmutações Criativas entre o Verbal e o Visual. | 3350 | Agnus Valente |
Master's Degree in Art |
2002 |
University of São Paulo, Brazil | Julio Plaza Gonzalez |
Arts Department - School of Communications and Arts - ECA/USP |
word and image intersemiosis; visual arts, semiotics; intertextuality; open work; metalanguage; concrete poetry; heuristic methods, visual poetics, intersemiose palavra e imagem; artes visuais, semiótica; intertextualidade; obra aberta; metalinguagem; po |
| Epistêmê, technê and poïesis visualisations of evolution and extinction in Queensland flora | 3797 | AK Milroy |
Doctorate |
2017 |
Central Queensland University | Ashley Holmes, Donna Lee Brien, Dr Andrew Rozefelds |
Art/ Palaeontology/ Physics |
art, science, palaeontology, visualisations, evolution, extinctions, synchrotron |
| Diffracting Painting: 'Mattering' as Reconfiguration of its Making, Understanding and Encountering | alberto condotta |
PhD |
2017 |
Birmingham City University | Johnny Golding |
Birmingham School of Art |
Aesthetics; Art Theory; Complexity Theory; Deconstruction; Painting; Theory and Practice of Visual Art; Art Encounters; Mattering; Practice-led Art Research; Sense of Self; Agential Realism; Diffraction; Phenomenology of Art; Radical Matter; Homage Art; Phenomenological Analysis of Art; Phenomenology of Painting |
|
| Fulcra: A Platform for Disaster Relief Assistance by Online Volunteers | 3258 | Alberto Elizondo |
Master Degree |
2012 |
Iuav University of Venice | Philip Tabor, Gillian Crampton Smith |
Interaction Design |
interaction design, multimedia, technology, crowdsource, humanitarian aid |
| On making feedback instruments lively case study: Feedback shadow | Alberto Rizzo |
Master's |
2022 |
University of Sussex | Chris Kiefer |
School of Media Art and Humanities |
feedback feedbackinstrument ultrasound cybernetics AI neuralnetworks machinelearning |