Click on a column header to sort the table in ascending or descending order
| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Connective Tissue: Skin as Medium of Embodiment and Transcendence from the Baroque to the Posthuman | 3191 | Jenny, Barbara Rita |
MFA |
2002 |
Maine College of Art, MFA Program | George Smith, Katarina Weslien |
Studio Art & Critical Theory |
Skin, Art, Posthuman, Embodiment, Transcendence, Baroque, Ecstatic |
| Primate Aesthetics | 3686 | Chelsea Lynn Sams |
MFA |
2016 |
University of Massachusetts Amherst | Robin Mandel, Melinda Novak, Jenny Vogel |
Studio Art |
primate, cognition, aesthetics, monkey, painting, technology, systems network analysis, disruptive play, order, chaos |
| Bioneering: Hybrid Investigations of Food | 3177 | Lisa Tucker |
Master of Fine Arts |
2007 |
University of California, Irvine | Antoinette LaFarge |
Studio Art |
social practices, socially engaged art, art/science collaboration, post-disciplinary practice |
| The Practices of Art and Science | 3713 | Hannah Star Rogers |
PhD |
2012 |
Cornell University | Judith V. Reppy, Michael Lynch, Pheobe Sengers |
STS |
STS, Science and Technology Studies, Art and Science Studies, Art, Science, and Technology Studies, Bioart, Models for Science, Tactical Media, Public Art, Citizen Science |
| Bringing the Future to Life | 3632 | Trevor Haldenby |
Master of Design, Strategic Foresight and Innovation |
2013 |
OCAD University | Greg Van Alstyne, Siobhan O'Flynn |
Strategic Foresight and Innovation |
Foresight Futures Design Experience Narrative Scenarios Alternate-Reality |
| Latency: Music Composition and Technology Solutions for Perception of Synchrony in “ResoNations 2010: An International Telematic Music Concert for Peace” | 3299 | Sarah Weaver |
Master of Music in Music Technology |
2011 |
New York University | Robert Rowe, Reader: Morwaread Farbood |
Steinhardt School, Department of Music and Performing Arts Professions, Music Technology Program |
telematic, music, composition, technology, international, united nations, latency, peace |
| Alternative Aesthetics of Inclusive Design | 3957 | Sanjay Sahota |
Design Futures MA |
2018 |
Cardiff Metropolitan University | Steven Thompson, Theo Humphries |
Speculative Design |
|
| For Money’s sake! Introducing Redefinition Design – a method to break out of the ubiquitous monetary paradigm; in the hope of finding genuine alternatives. | 3909 | Austin Houldsworth |
PhD Thesis by Practice |
2018 |
Royal College of Art | James Auger, Anthony dunne, Jonathan Edelman |
Speculative / Critical Design |
Money, Redefinition Design, Critical Design, Alternative Currency Systems |
| Theory and Practice of Physical Modeling for Musical Sound Transformations: An Instrumental Approach to Digital Audio Effects Based on the CORDIS-ANIMA System | 3472 | Alexandros Kontogeorgakopoulos |
highest degree |
2008 |
Institut Polytechnique de Grenoble and University of Athens (cotutelle internationale) | Claude Cadoz, Georgios Kouroupetroglou |
speciality ART, SCIENCES et Technologies |
digital audio effects, physcial modeling, musical sound transformation, CORDIS ANIMA, signal processing, instrumental gesture, control, sound processing, mass-interaction formalism |
| Expressive Processing: On Process-Intensive Literature and Digital Media | 3242 | Noah Wardrip-Fruin |
PhD |
2006 |
Brown University | Andries van Dam, Wendy Hui Kyong Chun, Robert Coover, David G. Durand, George P. Landow |
Special Graduate Study |
digital media, electronic literature, process intensity, story generation, artificial intelligence, expressive AI, computer games, cybertext, ergodic literature, expressive processing |