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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Performative Experience Design: Theories and practices for intermedial autobiographical performance | 3744 | Jocelyn Cady Spence |
PhD |
2015 |
University of Surrey | David Frohlich, Stuart Andrews |
Theatre (interaction design) |
human-computer interaction, interaction design, experience design, performance studies, autobiographical performance, theatre, Collect Yourselves!, devising, guidelines, attending, marking, self-making, heightened attention, situatedness, aesthetics of th |
| Virtual Reality Applications in Television Scenes | 3502 | Sharif El-Sayed Sharif |
Master |
2004 |
Alexandria University | Dr/ Medhat Metwally |
Theater and set design |
Virtual Reality, Television, interactive, telepresence, Artificial reality |
| The theatrical experience as human transformation: theater and neuroscience of emotions | 3519 | Dorys Faria Calvert |
PhD |
2014 |
Christine Hamon-Siréjols |
Theater |
Theater, neurosciences, emotions, neuroplasticity, transformation, theater therapy |
|
| 'Ah Ha' Moments: Novice Choreographers Using Defamiliarization in Digital Choreographic Technologies | 3862 | Kristin Carlson |
PhD |
2016 |
Simon Fraser University | Thecla Schiphorst |
The School of Interactive Arts and Technology |
Choreographic Process; Sketching; Defamiliarization; Genetic Algorithm; Embodied Experience; Creativity |
| Reconfiguring Space | 3381 | Paul Thomas |
PhD |
2006 |
University of Western Australia | Ian Mclean |
The School of Architecture and Fine arts |
perspective, space, Fillippo Brunelleschi, Char Davies, media art, perception |
| Atlas of the Hole/House of Dementia: the Escutcheon, the Hearth and the Floor-cloth as Motifs for Dwelling and Storytelling | 4250 | Diego de las Heras Pardo |
DPhil Fine Art |
2020 |
University of Oxford | Ian Kiaer, Brandon Taylor |
The Ruskin School of Art |
Imagination, Vernacular Architecture, Cultural Dementia, Dementia, Exhibition making, Storytelling, Mnemonics, Installation Art |
| The Arena Spectacular from Ben Hur Live to Isles of Wonder: Adaptation, Post-cinema and the Postcivil | Richard Whitby |
PhD |
2016 |
Birkbeck, University of London | Barry Curtis |
The London Consortium |
arena, post-civil, adaptation, architecture, entertainment, digital, cinema, Ben-Hur, Batman, Olympics, regeneration, post-cinema |
|
| An Investigation of Holographic Technologies Applied to Contemporary Art Practice - A new approach to define temporal aesthetics | 3864 | Yin-Ren Chang |
PhD |
2018 |
De Montfort University | Martin Richardson, Robert Chien-Chung Chen and Mr Nick Higgett |
The Faculty of Technology |
Holographic art, Time-based media art, Practice-based research, Reflection hologram, Chinese calligraphy |
| Discovering Mixed Reality: inventing design criteria for an action based Mixed Reality | 3215 | Mette Ramsgard Thomsen |
PhD |
2004 |
University College London | Peter Cook, Mel Slater |
The Bartlett School of Architecture |
Mixed Reality, embodied interfaces, event space, architecture |
| Artistic narratives at heterogeneous environments: an analysis of Global Strike project | 3821 | Clayton Policarpo |
Master of Tecnologies of Intelligence and Digital Design |
2015 |
Pontifical Catholic University of São Paulo (Brazil) | Lucia Santaella |
Tecnologies of Intelligence and Digital Design |
artistic narratives, digital art, Global Strike, actor-network theory, media ecology |