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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Un-Natural Histories: The Specimen as Site of Knowledge Production in Contemporary Art | 3644 | Helen Gregory |
Doctor of Philosophy |
2016 |
University of Western Ontario | Bridget Elliott |
Visual Arts/Visual Culture |
Natural History, Taxidermy, Bioart, Art-science Collaboration, Museum Studies, Natural History Collections, Natural History Specimens, Taxonomy, Cabinet of Curiosities, Chimera, Genetic Manipulation, Tissue Culture |
| Ecological Art As Gift: A Means To Facilitate Positive Changes In The World Water Crises | 3758 | Krisanne Baker |
MFA in Visual Arts |
2008 |
Vermont College of Fine Arts | Michael Minelli, Miwon Kwon |
Visual Arts/ Ecoart/ Multimedia Installation |
Ecological Art, gift, social justice, water, regeneration, entropic |
| In-between realities. Carlos Fadon Vicente's artistic photography works and its ramifications from 1975 to 2015 | 3924 | Carlos Edmundo Fadon Vicente |
Ph D Visual Arts |
2016 |
Universidade de Évora, Portugal | Claudia Giannetti |
Visual Arts and Design |
Carlos Fadon Vicente, digital image, essay, media art, photography |
| to a Place: immersive spatial experience synthesised from light and sound | 4187 | Alperen Sahin |
Master of Fine Arts |
2020 |
The Eugeniusz Geppert Academy of Art and Design in Wroclaw | Dominika Sobolewska, Zofia Reznik |
Visual Arts / Interior Design |
installation, performance, audiovisual, generative, darkness, sublime, spatial art, unknown, light, shadow |
| From Artworks to Artworlds: Information Efflorescence and Complex Systems Aesthetics | 3891 | Jason Hoelscher |
PhD: Aesthetics and Art Theory |
2018 |
Institute for Doctoral Studies in the Visual Arts | Brian Massumi |
Visual Arts / Art Theory |
art, minimalism, information theory, complexity, complex adaptive systems, chaos, emergence, epiphenomena, relative entropy, Danto, Susanne Langer, Frank Stella, Adrian Piper, Drop City, Stuart Kauffman, Gilbert Simondon, Souriau, Uexkull, adjacent possib |
| Reciprocation | 4068 | Jason Charney |
Master of Fine Arts in Intermedia and Digital Art |
2020 |
University of Maryland – Baltimore County | Timothy Nohe, Sarah G. Sharp, Katherine Marmor, Jules Rosskam |
Visual Arts |
Installation, Intermedia, Multimedia, Sculpture, Sound art, Speakers, Acoustics |
| Play in Digital Media Art: Interaction, Interfaces, Subversion | 3362 | Laetitia Wilson |
PhD Art History |
2010 |
University of Western Australia | Winthrop Ian McLean |
Visual Arts |
Play, Interactivity, Interpassivity, Subversion, Interfaces, Digital Media Art |
| Generative Art as Experiment | 3658 | Andres Wanner |
Master of Applied Arts in Visual Arts |
2013 |
Emily Carr University of Art and Design, Vancouver, Canada | Ingrid Koenig, Maria Lantin, Dr. Karmen Franinovi?, Dr. Chris Jones |
Visual Arts |
Mechanical drawing machines, Robotics, Art and Science, Generative Art, Appropriation, Glitch |
| Prosthesis | 4265 | Grace Grothaus |
MFA Visual Arts |
2021 |
UC San Diego | Pinar Yoldas |
Visual Arts |
climate change | computational arts | eco art | environment | philosophy of technology |
| Enmeshed Selves | 4219 | Nicole Clouston |
Ph.D. |
2020 |
York University | Barbara Balfour, Nell Tenhaaf, Natasha Myers |
Visual Arts |
Microbes; Lake Ontario; Mud; Collaboration; Soil; Water |