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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| SALIX: Capturiing the essence, experiencee and the evolution of interpretive data sysytems in exocyborgian entities and interpreting into an artform- giving Salix a voice | 3392 | john sherman lathram lll |
MFA |
2004 |
Ohio State University | Kenneth Rinaldo, Amy Youngs, Dr. Terry Barrett |
art and technology |
salix,implanted technologies,MAX/MSP, basic stamp, maya, data interpretation,eco-cyborgian |
| The digital txalaparta: An analysis of the txalaparta through software development | 4222 | Enrique Hurtado |
Fine Arts |
2015 |
University of the Basque Country EHU/UPV | Josu Rekalde, Thir Magnusson |
Art and technology |
txalaparta, software, generative |
| From the virtual to the physical: expanding the boundaries between art and life through emersive digital games | 3798 | Samue Gallastegui González |
PhD |
2016 |
University of The Baque Country | Cristina Miranda de Almeida de Barros |
Art and Technology |
Art, Video games, Emersion, Serious games, gamification |
| Caliban Robot: Artificial Stubbornness Evoked through a Shakespearian Character | 3181 | Annabel Castro Meagher |
MS in Applied Information Technology specializing in “Art and Technology” |
2005 |
Chalmers University of Technology | Mats Nordahl |
Art and Technology |
Robot, character, theater, Caliban |
| Naturalism in Synthetic Aesthetics | 3774 | David Martinez-Moreno |
Low-Residency Masters in Fine Arts |
07/2017 |
School of the Art Institute of Chicago | Tyler Coburn, Jens Hauser |
Art and Technology/Low-Residency MFA |
Bonsai, BioArt, Synthetic Aesthetics, Nature, Naturalism, Entropy, negentropy |
| New media art in Central and Eastern Europe in the 2000s | 3331 | Agnieszka Pokrywka |
Master of Arts |
2009 |
Poznan Academy of Fine Arts | Grzegorz Dziamski |
Art Criticism and Promotion |
new media art, cee, central and eastern europe, network society |
| Evaluation Of The Use Of Archive And Memory In Exhibition Practices Of Contemporary Art Institutions In Turkey | 4030 | S. Nesli Gül Durukan |
PhD |
2019 |
Y?ld?z Technical University | Assoc. Prof. Dr. Kadriye Tezcan Akmehmet |
Art Department |
Contemporary Art, Archive, Art Institutions, Exhibition Practices, Memory, Memory Institutions |
| Copy Art Histories: The emergence of the photocopy machine in the 20th century art and its role as Historical Media Art. Tendencies and thematic cartography of Copy Art | 3796 | BEATRIZ ESCRIBANO-BELMAR |
Cum Laude |
2017 |
University of Castilla-La Mancha, Spain | José Ramón Alcalá Mellado |
Art Department |
Historical Media Art, Media Archaeology, Media Art, Electrography, Copy Art |
| Copy Art Histories: The emergence of the photocopy machine in the 20th century art and its role as Historical Media Art. Tendencies and thematic cartography of Copy Art | Beatriz Escribano Belmar |
Cum Laude |
2017 |
University of Castilla-La Mancha, Spain | José Ramón Alcalá Mellado |
Art Department |
Historical Media Art, Media Archaeology, Media Art, Electrography, Copy Art |
|
| Screenplay, Unresolved Opposites | 3399 | Iris Tenkink |
MFA Art Writing |
2012 |
Goldsmith University London | Adrian Rifkin, Yve Lomax |
Art Department/ Art writing |
post-representation, figural, entropy, spatial temporal act, non-division, heterogeneous, sublimation, film, stageplay, Ionesco, Marguerite Duras |