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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Computer Art and ActorNetwork Theory: Actants and Intersubjective Associations in Scene | 3724 | PRAUDE, Carlos Corrêa. |
PhD |
12/21/15 |
Universidade de Brasília, Brasília, Brazil. | Suzete Venturelli |
Universidade de Brasília, Instituto de Artes, Programa de Pós-Graduação em Artes. |
Actor-Network Theory, Informational Aesthetics, Computer Art, Art and Technology, Art. |
| Counterfactualism – a new category for fine arts and humanities, dealing with the retrospective analysis of turning points in life | 3842 | Elke Reinhuber |
Doctor of Philosophy |
2014 |
University of New South Wales, Sydney, Australia | Ross Harley, Phillip George |
UNSW Art & Design (COFA) / Media Art |
counterfactual thinking, counterfactualism, forking-path narratives, decisive moment, media art, immersive environments, decision making, practice-based artistic research |
| Organic Urbanism and the Implicate Order: Understanding Urban Patterns Through the Geometries of Nature | 3347 | Maria Rosália Guerrerio |
PhD |
2011 |
ISCTE - University Institute of Lisbon | Maria José Roxo |
Urban Design |
Systemic thinking, Complexity, Emergence, Self-organization, Fractality |
| Design Intervention in Bhuvan | 4281 | RAM RAJ VISHVAKARMA |
Master of Design |
2020 |
78 | Tripti Singh |
User Interface Design |
ISRO, Bhuvan, NRSC, Geo-Portal, Visual Communication Design, User Experience Design, User interface Design, Design Language, Design Standards, Maps, Material Design. |
| Microsound, spectra, and objectivity: tracing memetics in organised sound | 3711 | Vincent Giles |
Doctor of Philosophy |
2016 |
University of Melbourne | Peter Roger Alsop, Alistair Riddell |
Victorian College of the Arts |
memes; memetics; music composition; philosophy of organised sound; philosophy of intention and reception; organised sound; sonic art |
| Fragile Virtuosity: The Human Voice at the Center of Performance and Technology | 3250 | Michelle Kasprzak |
Master's |
2006 |
Université du Québec à Montréal | Éric Raymond, Kim Sawchuk, Gisèle Trudel |
Visual and Media Art |
voice, performance, speech, error, repetition, devotion, perfection, virtuosity, falconry, Stenomask |
| Inverted Landscapes: Photomedia and the More-than-Representational | 4282 | Rebecca Najdowski |
PhD |
2020 |
Victorian College of the Arts, University of Melbourne | Kiron Robinson, Dr Katve-Kaisa Kontturi |
Visual Art |
photography; video; 3D modelling; nature; landscape; posthumanism; new materialism |
| Synchronization of the Imaginaries. How Machine Learning is Changing the Way We See the Globe | 4112 | Aurora Bertoli |
Master |
2020 |
IUAV, University of Architecture in Venice, Italy | Emanuele Arielli |
Visual Art |
Machine learning, imaginary, synchronisation, aesthetics |
| CATCH | BOUNCE: Towards a relational ontology of the digital in art practice | 3773 | James Charlton |
Doctor of Philosophy |
2017 |
Plymouth University | Geoff Cox, Deborah Robinson, Dr Michael Bowdidge |
Visual Art |
Digital, art, practice, ontology, Heidegger, Nelson Goodman, Jack Burnham, speculative realism, new materialism. |
| Productive Bodies | 3978 | Chelsea Thompto |
MFA (Visual Art) / MA (Gender and Women's Studies) |
2019 |
University of Wisconsin Madison | Meg Mitchell, Finn Enke |
Visual Art / Gender and Women's Studies |
visual art, visual culture, new media art, medical history, transgender history, transgender medicine, mississippi river, engineering history |