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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Latency: Music Composition and Technology Solutions for Perception of Synchrony in “ResoNations 2010: An International Telematic Music Concert for Peace” | 3299 | Sarah Weaver |
Master of Music in Music Technology |
2011 |
New York University | Robert Rowe, Reader: Morwaread Farbood |
Steinhardt School, Department of Music and Performing Arts Professions, Music Technology Program |
telematic, music, composition, technology, international, united nations, latency, peace |
| Bringing the Future to Life | 3632 | Trevor Haldenby |
Master of Design, Strategic Foresight and Innovation |
2013 |
OCAD University | Greg Van Alstyne, Siobhan O'Flynn |
Strategic Foresight and Innovation |
Foresight Futures Design Experience Narrative Scenarios Alternate-Reality |
| The Practices of Art and Science | 3713 | Hannah Star Rogers |
PhD |
2012 |
Cornell University | Judith V. Reppy, Michael Lynch, Pheobe Sengers |
STS |
STS, Science and Technology Studies, Art and Science Studies, Art, Science, and Technology Studies, Bioart, Models for Science, Tactical Media, Public Art, Citizen Science |
| Primate Aesthetics | 3686 | Chelsea Lynn Sams |
MFA |
2016 |
University of Massachusetts Amherst | Robin Mandel, Melinda Novak, Jenny Vogel |
Studio Art |
primate, cognition, aesthetics, monkey, painting, technology, systems network analysis, disruptive play, order, chaos |
| Bioneering: Hybrid Investigations of Food | 3177 | Lisa Tucker |
Master of Fine Arts |
2007 |
University of California, Irvine | Antoinette LaFarge |
Studio Art |
social practices, socially engaged art, art/science collaboration, post-disciplinary practice |
| Connective Tissue: Skin as Medium of Embodiment and Transcendence from the Baroque to the Posthuman | 3191 | Jenny, Barbara Rita |
MFA |
2002 |
Maine College of Art, MFA Program | George Smith, Katarina Weslien |
Studio Art & Critical Theory |
Skin, Art, Posthuman, Embodiment, Transcendence, Baroque, Ecstatic |
| Landscape Denatured: Digitizing the Wild | 3296 | Eric Kabisch |
Master of Fine Arts in Studio Arts with a concentration in Arts Computation Engineering |
2006 |
University of California, Irvine | Simon Penny |
Studio Arts - Arts Computation Engineering |
electronic arts, geography, visualization, locative media, image sonification, generative music, interactive art |
| Biomateria--Biotextile Craft | 3670 | WhiteFeather Hunter |
MFA |
11/01/15 |
Concordia University, Montreal, Canada | Tagny Duff, Ionat Zurr |
Studio Arts: Fibres and Material Practices |
biomaterials; textiles; craft; bioart |
| Photography from the Turin Shroud to the Turing Machine | 3688 | Yanai Toister |
PhD |
2015 |
Sydney | Ross Gibson |
Sydney College of the Arts |
Photography, Turin Shroud, Turing Machine, Analogue Photography, Digital Photography, Vilém Flusser |
| Measuring by Measuring Against: A Consideration of Scientific Methods in Conceptual Art Practices | Sara Morawetz |
PhD |
2021 |
University of Sydney | Alexander Gawronski |
Sydney College of the Arts |
Conceptual Art |