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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Experimental approach on Wind-Human collaborative crafting | 4073 | José Manuel Páez Moncaleano |
MA in Sonic Arts |
2014 |
Queen's University, UK | Paul Stapleton |
Sonic Arts |
Lutherie, wind, folk practice, interface, sound, kulturtechnik. |
| Working Through: Characterising and Evaluating Skill with Digital Musical Interactions | 3851 | Adnan Marquez-Borbon |
PhD |
2013 |
Queen's University Belfast | Paul Stapleton, Michael Gurevich |
Sonic Arts Research Centre |
Interactive digital music systems, interaction design, skill, human factors, qualitative research |
| The Revolution is Hear! Sound Art, the Everyday and Aural Awareness | 3456 | Florian Hollerweger |
PhD |
2011 |
Queen's University Belfast | Pedro Rebelo, Prof. Michael Alcorn |
Sonic Arts Research Centre |
aural culture, technologically mediated listening, modes of listening, mobile listening, social listening, acoustic ecology, aestheticised listening, aural awareness, the everyday, sound art |
| Rhythmanalysis: an expressive method for environment/aesthetics relationship. | 3769 | Kyriakos Charalampides |
Master |
2017 |
Institute of Sonology, Royal Conservatoire in The Hague | Raviv Ganchrow |
Sonology |
Rhythmanalysis, Sonification, Sonology |
| Embodied Composition. Treatment and Meaning of Physical Object in Experimental Music and Sound Art | 3225 | Svetlana Maras |
MA in Sound In New Media |
2011 |
Aalto university School of Art and Design | Antti Ikonen, Marianne Decoster-Taivalkoski |
Sound in New Media |
experimental music, sound art, physical object, composition |
| Auditory Subcultures and Sonic Flights: In Between Sound and Space | 4143 | Alifiyah Zulfiqar Imani |
Master of Arts, Media Arts Cultures |
2019 |
Aalborg University | Morten Søndergaard, Paul Oomen |
Sound Studies, Media Arts Cultures |
sound, space, spatial sound, auditory subculture, aural architecture, reflective practice reflection-in-action, practice-based, sonic environment, sound object, acoustics, listening, ecology |
| Expressive Processing: On Process-Intensive Literature and Digital Media | 3242 | Noah Wardrip-Fruin |
PhD |
2006 |
Brown University | Andries van Dam, Wendy Hui Kyong Chun, Robert Coover, David G. Durand, George P. Landow |
Special Graduate Study |
digital media, electronic literature, process intensity, story generation, artificial intelligence, expressive AI, computer games, cybertext, ergodic literature, expressive processing |
| Theory and Practice of Physical Modeling for Musical Sound Transformations: An Instrumental Approach to Digital Audio Effects Based on the CORDIS-ANIMA System | 3472 | Alexandros Kontogeorgakopoulos |
highest degree |
2008 |
Institut Polytechnique de Grenoble and University of Athens (cotutelle internationale) | Claude Cadoz, Georgios Kouroupetroglou |
speciality ART, SCIENCES et Technologies |
digital audio effects, physcial modeling, musical sound transformation, CORDIS ANIMA, signal processing, instrumental gesture, control, sound processing, mass-interaction formalism |
| For Money’s sake! Introducing Redefinition Design – a method to break out of the ubiquitous monetary paradigm; in the hope of finding genuine alternatives. | 3909 | Austin Houldsworth |
PhD Thesis by Practice |
2018 |
Royal College of Art | James Auger, Anthony dunne, Jonathan Edelman |
Speculative / Critical Design |
Money, Redefinition Design, Critical Design, Alternative Currency Systems |
| Alternative Aesthetics of Inclusive Design | 3957 | Sanjay Sahota |
Design Futures MA |
2018 |
Cardiff Metropolitan University | Steven Thompson, Theo Humphries |
Speculative Design |