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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| PERFORMING IDENTITIES. Self-Representation in Art from the Renaissance to Virtual Worlds | Tina Sauerlaender |
PhD |
2022 |
University of Arts | Christa Sommerer |
Interface Cultures |
Self-Representation, Visual Arts, Digital Art, Performance Art, VR Art, Performing Identities, Identity, Self-Portraiture, History of Self-Portraiture, Art History, Renaissance |
|
| Curating Screens: Art, Performance, and Public Spaces | 4336 | Elena Papadaki |
PhD |
2014 |
Goldsmiths University of London | Janis Jefferies, Matthew Fuller |
Centre for Cultural Studies & Department for Art and Computational Technology |
Curating, screen-reliant media, new media, spatial politics |
| The Live Electronic Processing of Sound: New Practices on Musical Variation. | 4333 | Adolfo Núñez |
PhD |
2021 |
Universidad Autónoma de Madrid | Yvan Nommick |
Music |
Music for instruments and electroacoustic sounds, mixed music, electroacoustic music, analysis, live sound processing, real time sound processing |
| Immersive creations and global scientific data: how to depict the world using the rhythm of the oceans | 4324 | Javiera Tejerina-Risso |
PhD |
Aix-Marseille University | Jacques Sapiéga, Patrice Le Gal |
Art, practice-based |
Depiction, art and science, waves, transdisciplinarity, landscape, data, ecology |
|
| VERS UNE PENSÉE MUSICALE ORIENTÉE-SYSTÈME : l’œuvre musicale auto-organisante | 4321 | Phivos-Angelos Kollias |
PhD |
2017 |
UNIVERSITÉ PARIS 8 - VINCENNES – SAINT-DENIS | Horacio VAGGIONE |
Music Composition - Aesthetics & Interactive Music Technologies |
algorithmic composition, interactive composition, ecosystem composition, feedback instruments, autonomous instruments, complexity, cybernetics, system theories |
| Biometric data art : personalized narratives and multimodal interaction | 4309 | Yoon Chung |
PhD |
12/09/16 |
University of California, Santa Barbara | Curtis Roads |
Media Arts and Technology |
biometric art, interactive art, data visualization, data sonification, biometrics, multimodal interaction, personalization, personalized narrative |
| A Virtual Architecture Framework for Immersive Learning Environments | 4295 | Pierre-Francois Gerard |
PhD |
2021 |
Goldsmiths University of London | William Latham, Frederic Fol Leymarie |
Computing |
Virtual Architecture Framework, Immersive, VR |
| AutoGraff: towards a computational understanding of graffiti writing and related art forms | 4293 | Daniel Berio |
PhD |
2021 |
Goldsmiths, University of London | Frederic Fol Leymarie, Rebecca Chamberlain, Prof. Luca Citi |
Computing |
Graffiti, Motor Control, Calligraphy, Computer graphics, CAGD, Graphonomics, Shape |
| Inverted Landscapes: Photomedia and the More-than-Representational | 4282 | Rebecca Najdowski |
PhD |
2020 |
Victorian College of the Arts, University of Melbourne | Kiron Robinson, Dr Katve-Kaisa Kontturi |
Visual Art |
photography; video; 3D modelling; nature; landscape; posthumanism; new materialism |
| Interpreting Electroacoustic Audio-visual Music | 4276 | Andrew Knight-Hill |
PhD |
2013 |
De Montfort University | Leigh Landy, Bret Battey |
Music |
Practice Research, Audience perception, interpretation, meaning |