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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Towards a definition of digital narratives in art museums | 4092 | Maria Isabel Hidalgo Urbaneja |
PhD Information Studies |
2020 |
University of Glasgow | Ian G Anderson, Maria Economou, Nuria Rodriguez Ortega |
Information Studies, Museum Studies |
digital narratology, museum studies, online exhibitions, online publications |
| User preference prediction using soft computing techniques | 4232 | Iria Santos López |
PhD Information & Communication Technologies |
2021 |
University of A Coruña | Juan Jesús Romero Cardalda, Adrián Carballal |
Computer Science |
artificial intelligence, machine learning, deep learning, soft computing, visual arts |
| Between Heaven And Earth, The Virtual Horizon | 3766 | PAN Cheng Yu |
PhD in Visual Arts and Sciences of Art |
2014 |
Paris 1 Pantheon-Sorbonne University | Bernard GUELTON, Chu-Yin CHEN, Joël GILLES, Éric BONNET, Isabelle VODJDANI |
Faculty 04 Visual Arts and Science of Art |
"Auto-virtualization", cyberspace, GIS, Internet, look, mythology, net.art, visual arts, virtuality, world map |
| Video Activism in the Italian Centri Sociali. A Visual Ethnography | 3498 | Alessandra Caporale |
PhD in Visual Anthropology |
2003 |
Napier University, Edinburgh, Scotland | Desmond Bell, Louise Milne |
Design and Media Arts |
Ethnography, Visual Anthropology, Community Media, Social Movements, New Media, Art, Activism, Politics |
| Your love hurts down to my bones: exploring public understandings of dengue fever in Medellin, Colombia, through an anthropology-art-science investigation | 3781 | Alejandro Valencia-Tobon |
PhD in Social Anthropology with Visual Media |
2016 |
The University of Manchester | Rupert Cox, Maia Green |
Social Sciences / anthropology, art, biology |
Dengue; anthropology; art; science; ethnographic conceptualism; ethnography by design; fever; health campaigns; knowledge; mosquito; participation |
| Identification, description, classification and analysis of works based on artistic representation of brain activity data. | 4322 | Kepa Landa Maritorena |
PhD in Research in Arts and Humanities |
2016 |
University of Castilla-la Mancha, Fine Arts School of Cuenca | José Ramón Alcalá Mellado PhD |
Art |
Art and brain activity data, data visualization, BCI, Brain computer interface, bio-feedback, EEG, FMRI |
| Bioart. An Aesthetic of Disorganisation | 3680 | Laura Benítez Valero |
PhD in Philosophy |
2014 |
Autonomous University of Barcelona | Gerard Vilar |
Philosophy/Aesthetics |
Bioart, Body, Life, semi-living-entities, Disorganisation, Bioplotics, Bioethics, Postnatural, Artistic research, estrangement |
| The Yorkshire Soundscape Project: multi-disciplinary approaches to a sound artist’s experience of landscape within the framework of soundscape ecology and composition | 3771 | Tariq Emam |
PhD in Music by Composition |
2017 |
University of Hull | Rob Mackay, Matt Barnard (m.barnard@hull.ac.uk |
Music |
soundscape, composition, acoustic ecology, soundscape ecology, Yorkshire dales, music, world soundscape project, archive, audio archive, psychogeography, national parks, geopolitics, nature, electroacoustic, ambisonic, stereo |
| Portfolio of Original Compositions | 3905 | Mario Duarte |
PhD in Music |
2017 |
The University of Manchester | Ricardo Climent, Philip Grange |
NOVARS Research Centre |
Sonification, Musification, DNA music composition, parameter mapping sonification, Graphical User Interface, MaxMSP, electroacoustic, mixed media. |
| Algorithms in Art | 4280 | Magda Stanová |
PhD in Fine Arts |
2016 |
Academy of Fine Arts in Prague | Tomáš Van?k |
fine art |
creative process, perception of art, fade rate, algorithm, pleasure, fitness function, ambiguity, trigger miners, thrill combo |