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Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
---|---|---|---|---|---|---|---|---|
MINDtouch - Ephemeral Transference: ‘Liveness’ in Networked Performance with Mobile Devices | 3316 | Camille BAKER |
PhD Digital Media |
2010 |
SMARTlab Digital Media Institute (University of East London awarding university) | Lizbeth Goodman, Sher Doruff, Dr. Ryya Bread, Dr. Marc Price |
Digital Media |
mobile media performance, phenomenology, telematics, mobile art, performance and technology |
Moving Image And The Space Around The Frame: Time-Based Installations And Forms Of Experience | 3958 | Giusy Pirrotta |
PhD Doctor of Philosophy |
2018 |
University of Brighton | Nicky Hamlyn, Emmanuelle Waeckerle |
Fine Art, photography, film |
Moving image, projection, light, perception, sculpture, film, analogue media, installation, exhibition contexts |
Hypermedia Systems: The Creation and Interpretation of Concept-based Art | 3270 | Dew Harrison |
PhD Fine Art |
1998 |
CAiiA, University of Wales, UK | Roy Ascott, Mike Punt, Dr Suzette Worden |
Interactive Art |
Conceptual Art, Marcel Duchamp, Hypermedia, Mind-mapping |
RESEARCH ARTS: THE INTERSECTION ART, SCIENCE AND TECHNOLOGY AS A FIELD OF KNOWLEDGE AND ACTION | 3386 | Stella Veciana |
PhD Fine Arts |
2004 |
Universitat de Barcelona, Facultat de Belles Arts | Josep Cerdà i Ferré, Peter Weibel, Sean Golden |
Fine Arts, Sculpture Department |
Knowledge, scientific-artistic research, performative turn, epistemology, system theory, heuristics, translation, scientific visualization, methods, models, simulation, reactivity, interactivity, data bases, archive, dynamic memory, context, social constr |
Prototyping Relational Things That Talk: A Discursive Design Strategy for Conversational AI Systems | 4034 | Birgitte Aga |
PhD Humanities |
2019 |
The University of Plymouth | Mike Phillips, Chris Bennewith, Mathew Emmett |
Search Results Web results School of Art, Design and Architecture |
Artificial Intelligence, Conversational AI, Conversational Systems, Chatbots, Discursive Design |
Languages of Russian and Chinese narrative video art | 3544 | Victoria Marchenkova |
PhD in arts |
2013 |
RSUH | Kolotaev, Vladimir Alexeevich |
TV-, film and other Screen arts |
video art, contemporary art, Chinese art, Russian art, media, cross-cultural analysis, post-socialism, narrative |
Algorithms in Art | 4280 | Magda Stanová |
PhD in Fine Arts |
2016 |
Academy of Fine Arts in Prague | Tomáš Van?k |
fine art |
creative process, perception of art, fade rate, algorithm, pleasure, fitness function, ambiguity, trigger miners, thrill combo |
Portfolio of Original Compositions | 3905 | Mario Duarte |
PhD in Music |
2017 |
The University of Manchester | Ricardo Climent, Philip Grange |
NOVARS Research Centre |
Sonification, Musification, DNA music composition, parameter mapping sonification, Graphical User Interface, MaxMSP, electroacoustic, mixed media. |
The Yorkshire Soundscape Project: multi-disciplinary approaches to a sound artist’s experience of landscape within the framework of soundscape ecology and composition | 3771 | Tariq Emam |
PhD in Music by Composition |
2017 |
University of Hull | Rob Mackay, Matt Barnard (m.barnard@hull.ac.uk |
Music |
soundscape, composition, acoustic ecology, soundscape ecology, Yorkshire dales, music, world soundscape project, archive, audio archive, psychogeography, national parks, geopolitics, nature, electroacoustic, ambisonic, stereo |
Bioart. An Aesthetic of Disorganisation | 3680 | Laura Benítez Valero |
PhD in Philosophy |
2014 |
Autonomous University of Barcelona | Gerard Vilar |
Philosophy/Aesthetics |
Bioart, Body, Life, semi-living-entities, Disorganisation, Bioplotics, Bioethics, Postnatural, Artistic research, estrangement |