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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Synchronization of the Imaginaries. How Machine Learning is Changing the Way We See the Globe | 4112 | Aurora Bertoli |
Master |
2020 |
IUAV, University of Architecture in Venice, Italy | Emanuele Arielli |
Visual Art |
Machine learning, imaginary, synchronisation, aesthetics |
| MG (aka I Want a Baby!, Reimagined): A Feminist, Speculative, Queer Exploration of the Content and Context of Sergei Tret’iakov’s 1926 play "I Want a Baby!" | 4111 | Angela S. Beallor |
PhD |
2020 |
Rensselaer Polytechnic Institute | Mary Anne Staniszewski |
Electronic Arts |
Feminism, Queer Studies, Russian Avant-garde, Sergei Tret'iakov, Soviet, Soviet Theatre |
| smart mirror | 4102 | Pearpeerune uthaisang |
Master degrees |
2020 |
the west of England | Dave Meckin, Daniel Buzzo |
smart, magic,mirror,easy,decorate,technology,creative |
|
| All-Women Initiatives in Art and Technology 1986-2020. Atenea: Mentoring and Networking Project in STEAM | 4100 | Robles Mateo, Elena |
PhD |
2020 |
Universitat Politècnica de València | Lloret Romero, María Nuria |
Departamento de Comunicación Audiovisual Documentación e Historia del Arte / Digital Art Theory-History |
All-women, self-organized, initiatives, new media arts, art, technology, mapping, alternative art spaces, collaboration, segregation, ICT, digital age, virtual, community, network cultures, feminism, cyberfeminism, Atenea, STEM, girls, organizational, cur |
| Cloud computing as digital imaginary | 4098 | Jayn Verkerk |
Doctor of Philosophy |
2020 |
Victoria University of Wellington | Assoc. Prof Sydney Shep, Anne Niemetz |
Design |
cloud computing, critical making, black boxed technology, invisible technology, digital imaginary, digital materiality, digital artefacts, physical artefacts, creative practice, data surveillance, user imaginary, Internet of things, Internet aesthetic |
| Deep Interactive Evolutionary Systems for Assisted Creativity | 4097 | Carlos Tejeda Ocampo |
Master of Science in Computer Science |
2020 |
Instituto Tecnologico y de Estudios Superiores de Monterrey, Campus Monterrey | Armando López Cuevas |
School of Engineering and Sciences |
Generative Adversarial Networks, Interactive Evolutionary Computation, Deep Interactive Evolution, Deep Interactive Evolutionary Systems, Neural Art, StyleGAN, Style-Based Generator |
| Dynamic music: the implications of interactive technologies on popular music making | 4094 | Tracy Redhead |
Research Doctorate - Doctor of Philosophy (PhD) |
2020 |
The University of Newcastle | Richard Vella |
Music |
dynamic music; interactive technologies; reactive music; contextual music; interactive music; algorithmic music; popular music; future music; generative music; adaptive music; game audio; music composition |
| Towards a definition of digital narratives in art museums | 4092 | Maria Isabel Hidalgo Urbaneja |
PhD Information Studies |
2020 |
University of Glasgow | Ian G Anderson, Maria Economou, Nuria Rodriguez Ortega |
Information Studies, Museum Studies |
digital narratology, museum studies, online exhibitions, online publications |
| Feral Robotic Birds | 4091 | Lou Terry |
MA Computational Arts |
2020 |
Goldsmiths University of London | Helen Pritchard |
Computing |
Environmental sensing, environmental media, actor network theory, multispecies, sound, computational art |
| Years of Life Lost (before they can ossify) | 4088 | Dorsey Kaufmann |
M.F.A. |
2020 |
University of Arizona | Ellen McMahon, Mo´nica Ramírez-Andreotta, Aaron Coleman, Stacie Widdifield |
Illustration and Design |
environmental justice, systems theory, labor theory of value, Marxism, mining waste, resource extraction |