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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| The Sensorial Invisibility of Plants: An Interdisciplinary Inquiry through Bio Art and Plant Neurobiology | 3461 | Laura Cinti |
PhD |
2011 |
University College London (UCL) | Mark Lythgoe |
Slade School of Fine Art (in interdisciplinary capacity with the Centre for Advanced Biomedical Imaging) |
bio art, plants, plant neurobiology, art science, interfaces, sensoriality |
| The Sinograph in Digital Language Art | Yue Jin Ho |
PhD |
2022 |
City University of Hong Kong | Daniel HOWE |
School of Creative Media |
electronic literature, sinograph, affordance, hermeneutics, Chinese, kanji, digital language art, media art. |
|
| The Sky is Coming | 4262 | Danielle Damico |
M.F.A. Intermedia & Digital Art |
2021 |
University of Maryland, Baltimore County | Jules Rosskam |
Intermedia & Digital Art |
ecosexuality, technological mediation, weather, queer ecology, queer ecofeminism |
| The sound of friction: real-time models, playability and musical applications | 3462 | Stefania Serafin |
PhD |
2004 |
Stanford University, CA | Julius O. Smith III |
Center for Computer Research in Music and Acoustics (CCRMA) |
physical models, friction sounds |
| The Spatial Narration Model | 3463 | Blanca Montalvo Gallego |
doctor |
2003 |
Politecnic University of Valencia, Spain | Mª José Martinez de Pison Ramon |
Sculpture |
narrativity, art, sculpture, video, installation, narration, spatial, interactive, multimedia, technology, narrations, interface, interactivity, author |
| The Spatial Properties Of The Projection System In The Work Of Jeffrey Shaw | 3701 | Olga Venetsianou |
PhD |
2014 |
University of Thessaly | Georgios Papakonstantinou, Spyros Papadopoulos, Vassilis Bourdakis |
School of Architecture |
New Media Art; Architecture; Public Art; Interactive and Digital Media; Interaction Design; Urban Screens; Expanded Cinema; Digitally Expanded Cinema; Projection; Screens; Architecture and Public Spaces |
| THE STRANGE DANCE: 9 EVENINGS: THEATRE & ENGINEERING AS CREATIVE COLLABORATION | 3684 | Robin Oppenheimer |
Dr. of Philosophy |
Spring 2011 |
Simon Fraser University | John Bowes, Jim Bizzocchi, Thecla Shiphorst |
School of Interactive Arts and Technology |
Art-and-Technology Histories; Creative Collaboration; Cybernetics; Boundary Object; Collaboration Aesthetic; Experiments-in-Art-and-Technology |
| The Structure, Perception and Generation of Musical Patterns | 3464 | M. Nyssim Lefford |
Doctor of Philosophy in Media Arts and Sciences |
2004 |
Massachusetts Institute of Technology | Barry Vercoe |
Media Arts and Sciences/Music Perception and Cognition |
Music, Generative Process, Perception, Composing, Rhythm |
| The Sublime in Interactive Digital Installation: An analysis of three artworks: Listerning Post, Translator II: Grower, The Cloud Harp | 3465 | Tegan Bristow |
Masters in Digital Arts (MA) |
2007 |
University of the Witwatersrand | Christo Doherty |
Digital Arts - Interactive Digital Media |
Sublime, Interactive Digital Installation, Nature and Technology |
| The sublime in the postdigital era: the technological oeuvre in the context of experiential art | 4131 | Miguel Oliveros Mediavilla |
PhD |
2017 |
Universidad Complutense Madrid | Jaime Munárriz |
Fine Arts |
art, technology, aesthetic, open source, set theory. |