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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Processpatching, defining new methods in aRt&D | 3369 | ANne NIgten |
PhD |
2006 |
University of the Arts London, Central Saint Martins College of Art & Design, SMARTlab programme (UK) | Lizbeth Goodman, James Swinson, prof. Lynda Hardman |
media art |
electronic art, art and science, collaboration, methods |
| Principles of Metadesign: Processes and Levels of Co-Creation in the New Design Space | 3368 | Elisa Giaccardi |
PhD |
2004 |
Shool of Computing, Communications, and Electronics / University of Plymouth, UK | Roy Ascott |
Planetary Collegium (CAiiA-STAR) |
Metadesign, interactive art, co-creation, emergence, design space, design theory, design culture, art practice, aesthetics, transdisciplinarity |
| Poetics of the Interface: Creating Works of Art That Engage in Self-Reflection | 3364 | Miguel Santos |
PhD |
2011 |
Sheffield Hallam University | Sharon Kivland, Jaspar Joseph-Lester |
Art and Design Research Centre |
interface, mobility, consciousness, attention, traveling, places in-between, contradictions |
| Photography as the Aesthetic Determination of Difference | 3359 | Daniel Rubinstein |
PhD |
2013 |
Birmingham Institute of Art and Design (BIAD), Birmingham City University | Johnny Golding, Steve Kennedy |
Philosophy |
Photography, multiplicity, difference, aesthetics, post-structuralism, incorporeal materialism, affect, sense, Deleuze, Heidegger |
| Perceiving Experience: Accounting for the role of the audience in the construction of pervasive and locative artworks | 3354 | Christopher James Fry |
PhD |
2008 |
University of Surrey | Malcolm Quinn, Tom Corby |
School of Art and Design |
Audience, artwork, pervasive, locative, experience |
| Patterning:The Informatics of Art and Fashion | 3353 | Daria Dorosh |
PhD |
2008 |
University of East London | Philippa Beale |
new media |
pattern, grid, loop, abstraction, representation, fashion, art, collaboration, installation, neurofeedback. |
| Out of Order: Explorations in Digital Materiality | 3349 | Susan Ballard |
PhD |
2008 |
University of New South Wales, Sydney, Australia | Ass/Prof. Anna Munster |
Art History and Theory |
digital art, materiality, art installation, emergence, new media, entropy, information, noise, media ecology. |
| Organic Urbanism and the Implicate Order: Understanding Urban Patterns Through the Geometries of Nature | 3347 | Maria Rosália Guerrerio |
PhD |
2011 |
ISCTE - University Institute of Lisbon | Maria José Roxo |
Urban Design |
Systemic thinking, Complexity, Emergence, Self-organization, Fractality |
| On Earthquakes (Ueber Erdbeben - Ein Versuch zur Erweiterung seismologischer Darstellungsweisen) | 3340 | Florian Dombois |
PhD |
1998 |
Humboldt-University Berlin (Germany) | Hartmut Boehme, Hans-Werner Schuett |
Cultural History |
Erdbeben, terraemotus, tremblement de terre, earthquake; art and science; sonification, audification |
| OBJECTS OF CULTURE: COLLECTIONS OF SCIENCE AND TECHNOLOGY IN ENGLAND 1800-1880 | 3337 | ANASTASIA FILIPPOUPOLITI |
PhD |
2005 |
UNIVERSITY OF LEICESTER (UK) | SIMON J. KNELL |
DEPARTMENT OF MUSEUM STUDIES |
science collections, science museums, history of collecting, history of museums, history of science communication, history of science exhibitions |