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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Processpatching, defining new methods in aRt&D | 3369 | ANne NIgten |
PhD |
2006 |
University of the Arts London, Central Saint Martins College of Art & Design, SMARTlab programme (UK) | Lizbeth Goodman, James Swinson, prof. Lynda Hardman |
media art |
electronic art, art and science, collaboration, methods |
| Second Wind | 4012 | Anne Yoncha |
Master of Fine Art |
2019 |
University of Montana | Valerie Hedquist, s Bradley Allen, Mary Ann Bonjorni, and Albert Borgmann |
Fine Art |
art-science, ponderosa, digital sensing, kinetic, installation, landscape |
| The Role of the Designer in the Facilitation of Meaningful Play between Disabled and Non-disabled Children | 4139 | Anne-Marie Moore |
PhD Mechanical Engineering |
2016 |
University of Leeds | Raymond Holt, Angharad Beckett |
Product Design/Mechanical Engineering |
Participatory design, user-centred design, cooperative inquiry, interdisciplinary research, disabled children, non-disabled children, toys and games, meaningful play, inclusive play |
| Rain Remediation | 3374 | Anney Bonney |
M.F.A. |
2008 |
School of Visual Arts | Joe Dellinger, Russet Lederman, Grahame Weinbren, Kathy Brew, Paul R |
Computer Art |
Ecology, Shamanism, Water, Rain, Dreams, Video, Installation, Environment, Interactive, Video Art, Audio, Media, Remediation, Collective Unconscious, C.G. Jung, James Hillman,Terence McKenna, Jay David Bolter, Richard Grusin, New Media, Transparency, Acou |
| Perceptual Moment | 3355 | Annie Briard |
MAA |
2013 |
Emily Carr University of Art and Design | Maria Lantin, Dr. Chris Jones |
Masters of Applied Arts in Media Arts |
moving image, video, animation, media art, visual perception, wonderment, affect, phenomenology, Deleuze, film theory |
| Gaze Relations: Looking as Power | 3849 | Anthony Assi |
MFA Digital Arts and New Media |
2018 |
University of California, Santa Cruz | Edward Shanken, Elliot Anderson, Angus Forbes, Warren Sack |
Digital Arts and New Media |
Aesthetics, Art, Computer Vision, Critical Computing, Fashion, Gaze |
| Structural Constellations: Excursus on the drawings of Josef Albers c. 1950–1960 | 3412 | Anthony Auerbach |
PhD |
2003 |
University College London | Norman Bryson |
Fine Art |
Anthony Auerbach, Josef Albers, Structural Constellations, Walter Benjamin, Theodor Adorno, constellation, sternbild, star map, celestial cartography, geometry, Dürer, Alberti, Monge, Farish, Haüy, Necker, Cubism, Van Doesburg, Lissitzky, Aesthetic Theo |
| SOUNDSCAPES: THE EVOLUTION OF A CONCEPT, APPARATUS AND METHOD WHERE LUDIC ENGAGEMENT IN VIRTUAL INTERACTIVE SPACE IS A SUPPLEMENTAL TOOL FOR THERAPEUTIC MOTIVATION | 4247 | Anthony Brooks |
PhD |
2011 |
Sunderland, UK | Phil Ellis (now deceased) |
Faculty of Arts, Design and Media |
Empowered Creative Expression; Personalised Interactive Installations; Supplementing Traditional (Re)habilitation Intervention; Sensors; Societal Impact of Art + Science + Technology; Human WellBeing and Life Quality |
| A World Exhilarating and Wrong | 3139 | Antoinette LaFarge |
M.F.A. |
1995 |
School of Visual Arts, New Yor | Grahame Weinbren |
Computer Art |
performance, online performanc |
| Audiovisual document search engine results visualized in a 3D environment for the I-Media-Cities platform | 3922 | Arianna Giordano |
Multimedia Communication and Information Technologies |
2019 |
Università degli Studi di Udine | Pier Luigi Capucci |
Information Technologies |
User Experience, Search engine, Search results, Visualization, 3D Environment |