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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Situated Networks: in [re]search of the public | 3404 | T. F. Tierney |
Doctor of Philosophy DE: New Media |
2009 |
University of California Berkeley | Jean-Pierre Protzen, Kenneth Goldberg, UCB Berkeley Center for New Media |
College of Environmental Design |
networks, publics, online activism, public sphere, counter-publics, public space, netethnography |
| InquirySpace: an Immersive Document in the Style of the 'Opera Reductio' | 3283 | Kenneth Fields |
Doctor of Philosophy in Media Arts |
2000 |
University of California Santa Barbara | Curtis Roads, Victoria Vesna, Jack Loomis, Stephen Pope, JoAnn Kuchera-Morin |
Music, Art, Cognitive Science, Computer Science |
Mediawork, Semiotics, Presence, Immersive, Inquiry |
| The Structure, Perception and Generation of Musical Patterns | 3464 | M. Nyssim Lefford |
Doctor of Philosophy in Media Arts and Sciences |
2004 |
Massachusetts Institute of Technology | Barry Vercoe |
Media Arts and Sciences/Music Perception and Cognition |
Music, Generative Process, Perception, Composing, Rhythm |
| Time and Space in Video Games. A Cognitive-Formalist Approach | 3986 | Federico Alvarez Igarzábal |
Doctor of Philosophy in Media Studies |
2019 |
University of Cologne | Benjamin Beil, Gundolf S. Freyermuth, Marc Wittmann |
Institute of Media Culture and Theater |
video games, time, space, time perception, gametime, gamespace, games, digital games, aesthetics, formal analysis, cognitive science, psychology, perception, game studies, media studies |
| Composing [De]Composition: Data Sonification for Sound Art and Music Composition | 3716 | Jennifer no.e Parker |
Doctor of Philosophy in Music |
2016 |
University of California, Riverside | Ian Dicke, Adrian Freed |
Music |
data sonification, musification, audification, techno-ecology, audio display, BioArt, sound art, digital music composition |
| EXPERIMENTAL CINEMA IN THE AGE OF BINARY DATA: THE DIGITAL ALTERNATIVE TO THE CELLULOID IMAGE | 3239 | Robert Daniel Flowers |
DOCTOR OF PHILOSOPHY IN THE HUMANITIES - MAJOR IN AESTHETIC STUDIES |
2010 |
THE UNIVERSITY OF TEXAS AT DALLAS | Thomas E. Linehan, |
Humanities - Aesthetic Studies |
avant-garde, experimental film, experimental cinema, motion picture film, animation, digital video, new media, celluloid, digital cinema, Independent filmmaking, video art, fine art, art |
| Nature as Discourse: A Co-evolutionary Systems Approach to Art and Environmental Design | 3647 | Susannah Hays |
Doctor of Philosophy, PhD |
05/01/16 |
University of California, Berkeley | Galen Cranz, Greg Niemeyer, Alva Noë, Richard Norgaard, Hertha D. Sweet Wong |
Interdisciplinary Studies / (Art, Environmental Design, Philosophy, English) |
Art Practice, Consciousness Studies, Ecocivility, Epistemics, Human Evolution, Sustainability, Transdisciplinarity |
| Musical Composition Techniques of Maurice Ravel and Toru Takemitsu To Digital Cinema | 3624 | Wen-Shing Ho |
Doctor of Science |
2013 |
Waseda University, Tokyo Japan | Kohei Ando, Takashi Kawai |
Global Information and Telecommunication Studies/Screen Image |
Cinematic Language, Musical Notation, Digital Cinema, Jazz Improvisation,French Impressionist composer , Film Music, Toru Takemitsu, Takao Dancer, Thief, Water |
| Climate Change: A Different Subjectivity? | 3581 | Roslyn Ellen Taplin |
Doctor of Visual Arts |
2015 |
Queensland College of Art - Griffith University | Ross Woodrow |
Visual Art/Environmental Art |
climate change, environment, contemporary art, text, discourse analysis, transdisciplinary, experimental, social learning, polycentric action, Ostrom, Milbrath, Deleuze, Guattari, O'Sullivan, ethico-aesthetic, minor literature, subjectivity, drawing, |
| The Implications for Artistic Expressions and Representations of corporeality of the Experimental Techniques of Biomedical Engineering | 3439 | Patricia L. Adams |
Doctor of Visual Arts |
2005 |
Griffith University, Brisbane, Australia. | Assoc. Prof. Jay Younger, Glenda Nalder |
Queensland College of Art, Faculty of Arts |
corporeality, interactivity, immersive environments, sentience, consciousness, humanness, non-living, system/environments, art/science collaboration, human guinea-pig, stem cells, cardiac cells, re-interpretation, cultural critique, aesthetic enquiries, r |