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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| CRYOSPHERE: Frozen in Time | Christophe ivins |
Master of Fine Arts - MFA |
2018 |
University of California, Santa Cruz | Elliot W. Anderson, Jeffrey Bury, David Dunn,Angus Forbes,Newton Harrison,Jennifer P |
Digital Arts and New Media |
Cryosphere, Glacier, Ice Sheet, Arctic, Polar, Alaska, Wyoming, California |
|
| Fingers In The Outlet: a self-relfexive investigation of 'Bricolage' as a method of engagement in new media arts, through domestic hacking practices | Nathan Oliver Gates |
MADA Master of Art in Digital Art (by coursework) |
2013 |
The University of The Witwatersrand | Tegan Bristow |
Digital Arts |
Hardware hacking, Methodology, Bricolage, Claude Lévi-Strauss, Knowledge,Science,Digital Art,Process |
|
| THE DIVINE GAZE OF THE BAZAAR The figurative power of divine Hind? iconographies and the artistic reproduction in 19th-20th century India | Chiara Marcenta |
MA History of Arts |
2020 |
Ca' Foscari University of Venice | Sara Mondini |
Fine Arts |
Mechanical art reproduction; Mechanical technology; India; Raja Ravi Varma; Walter Benjamin |
|
| Virtual Empowerment | Marjan Khatibi |
MFA |
2020 |
UCSC | Elizabeth Swensen, Soraya Murray, Susana Ruiz |
Digital Arts and New Media |
Empathy, Empowering, Immersion, Interactive experience, VE, VR. |
|
| Dr | Keith Armstrong |
PhD |
2003 |
Queensland University of Technology | Rod Wissler |
Academy of the Arts/Creative Industries |
new media arts, ecology, environment, socio-political, action, ecosophy, ecosophical, praxis,hybrid arts, cross-disciplinary practices, performance art and science, art and technology, site specific installation practices, interaction, design interactive |
|
| Copy Art Histories: The emergence of the photocopy machine in the 20th century art and its role as Historical Media Art. Tendencies and thematic cartography of Copy Art | Beatriz Escribano Belmar |
Cum Laude |
2017 |
University of Castilla-La Mancha, Spain | José Ramón Alcalá Mellado |
Art Department |
Historical Media Art, Media Archaeology, Media Art, Electrography, Copy Art |
|
| Finding Pr??a: Digital and Performative Experiments in Search of a Technology of the Self | Helen Collard |
PhD |
2019 |
Northumbria University | Stephen Gibson, Sandra Johnson |
Fine Art, Design, Media Art |
Prana, Technology of the Self, fNIRS, Listening |
|
| Te Kore - Exploring the M?ori Concept of Void | Moana Nepia |
Ph.D. |
2013 |
Auckland University of Technology - Te Whare W?nanga õ Tamaki Makau Rau | Tina Engels-Schwarzpaul, Welby Ings, Wiremu Kaa |
Art & Design |
Te Kore - M?ori concept of void, nothingness and potentiality; Indigenous and M?ori epistemologies, kaupapa and tikanga M?ori; Inter-disciplinary and creative practice-led research; Mohi Ruatapu; Te Aot?warirangi; Ng?ti Porou; Ruawaipu; Rongowhakaata |
|
| Atmospheric Architecture: 'outSIDEin' | Maja Petric |
Master in Interactive Telecommunications |
2006 |
New York University | Nancy Hechinger |
Interactive Art |
atmospheric architecture, interactive, nature, technology, public space, environment. light |
|
| Digital Technologies as Mediation in European Fine Art Museums | Catarina dos Reis |
Master |
2019 |
Escola das Artes da Universidade Católica Portuguesa | Doutor Luís Teixeira, Doutora Eduarda Vieira |
Museology |
Museum; Fine Art; Mediation; Digital Technology; Europe |