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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Becomings of Digital Poetry - the carrier of memory in slow media practice | Tiio Suorsa |
Master's |
2021 |
Universität für künstlerische und industrielle Gestaltung Linz | Christa Sommerer |
Interface Cultures |
digital poetry, video art, memory, in-betweenness, slow media |
|
| Zen and the Art of Software Performance: John Cage and Lejaren A. Hiller Jr.’s HPSCHD (1967-1969) | 3742 | Tiffany Funk |
PhD |
2016 |
University of Illinois at Chicago | Hannah B Higgins, S. Elise Archias, Steve Everett, Angus Forbes, Jay Alan Yim |
Art History |
art, technology, computer art, performance art, conceptual art, digital art, john cage, lejaren hiller |
| “Frankenstein Complex” in the Realm of Digital Humanities: Data Mining Classic Horror Cinema via Media History Digital Library (MHDL) | 4235 | Tianyu Jiang |
Master of Arts in Cinema Studies |
2019 |
Stockholm University | Malin Wahlberg |
Department of Media Studies |
Digital Humanities, “Frankenstein Complex”, Meta-inquiry, Media History Digital Library, Arclight, Digital archive, Data mining, Classic horror cinema, Film phenomenology, Queer phenomenology, Horror spectatorship |
| Affective Enactive Systems in Art and TechnoScience: Vital Experiences of Displacement in the City | 3628 | Tiago Franklin Rodrigues Lucena |
PhD |
2013 |
University of Brasilia | Diana Maria Gallicchio Domingues, Ramesh Raskar |
Art Institute |
Art and TechnoScience. Bioart. Affective Enactive System. Displacements. Physiological Sensors. Ubiquity. |
| A Software-based Knowledge Management System using Narrative Texts | 3136 | Thomas Rudy McDaniel |
Ph.D. |
2004 |
University of Central Florida | Paul Dombrowski, Dan Jones, Karla Kitalong |
English: Texts and Technology |
story; narrative; knowledge management; artificial intelligence |
| Bay Area Experimentalism: Music and Technology in the Long 1960s | 3848 | Theodore Gordon |
PhD |
2018 |
University of Chicago | Seth Brodsky |
Music History |
experimental music, bay area, san francisco tape music center, Buchla |
| Im-Medea: Posthumanism and Remediation in Music Theatre | 4040 | Thanos Polymeneas-Liontiris |
PhD |
2019 |
Unoversity of Sussex | Thor Magnusson, Nicholas Till |
Media, Film & Music |
Posthumanism, Cybernetics, Remediation, Music Theatre, Cybernetic performance ecosystems, human installations |
| Falling between worlds: The comings and goings of a virtual itinerant wayfarer in a creative community | 4254 | Tess Baxter |
PhD |
2021 |
Lancaster University | Charlie Gere, Jen Southern |
Contemporary Art |
Digital Art, virtual worlds, video art, machinima, Fan Cultures, creativity, Internet, Anthropology, Sociology, Art, Visual, Film, Printmaking, Media, video games, Literature, Literary Studies, Multidisciplinary, Practice Based Research |
| Audiovisual Installation as Ecologically Performativity | 4121 | Teresa Connors |
PhD |
2018 |
The University of Waikato | Ian Whalley, Kenneth Fields |
Music/Interdisiplinary |
Audiovisual Installation, Nonlinear processes, Ecological Performativity |
| The Sublime in Interactive Digital Installation: An analysis of three artworks: Listerning Post, Translator II: Grower, The Cloud Harp | 3465 | Tegan Bristow |
Masters in Digital Arts (MA) |
2007 |
University of the Witwatersrand | Christo Doherty |
Digital Arts - Interactive Digital Media |
Sublime, Interactive Digital Installation, Nature and Technology |