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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Agents of Spatial Influence: Studying design interactions with arrangements and gestures | 4072 | RAY LC |
MFA |
2020 |
Parsons School of Design | Jess Irish, Sven Travis |
Design and Technology |
Machine influence, spatial design, implicit interactions, smart furniture, persuasive technology, machine communication. |
| AI+ART: Illuminating the Black Box | Rebecca Mott |
MFA |
2022 |
School of the Art Institute of Chicago | Tyler Coburn |
Low-Residency MFA |
artificial intelligence, art, AI, deep learning, ethics, access |
|
| Alan Splet: the sound design of Blue Velvet and the polyphony of sound effects | 4026 | Fabiano Pereira de Souza |
Master's |
2016 |
Universidade Anhembi Morumbi | Rogério Ferraraz |
Programa de Pós-Graduação em Comunicação Mestrado e Doutorado |
Cinema. Sound design. Polyphony. Sound counterpoint. Alan Splet. David Lynch. |
| Albatross : a metaphor for vision & interplayed ideas | 3147 | ilias koen |
MFA |
2005 |
School of Visual Arts, New York | Yuichiro Nishizawa, Graham Weinbren |
Computer Art - Art |
Simulation, representation, mapping, modes of vision, computing machine, data-collections |
| Algae: Exploring the Intersection of Art and Science | 3148 | Sara Gevurtz |
Master of Fine Arts |
2012 |
San Jose State University | James Morgan, Joel Slayton, Shannon Wright |
Digital Media Art |
Bio Art, Science Art |
| Algorithmic Landscapes: the use of Artificial Intelligence for Poetic Creation | Matheus Montanari |
Master's |
2020 |
University of São Paulo | Gilbertto Prado |
School of communication and arts |
Algorithms |
|
| Algorithmic Meta-Creativity: Creative Computing and Pataphysics for Computational Creativity | 4251 | Fania Raczinski |
PhD |
26/09/2017 |
De Montfort University | Hongji Yang, Andrew Hugill, Prof. Jim Hendler, Prof. Sophy Smith |
Institute of Creative Technologies / Computer Science - Software Engineering |
Pataphysics, Creative Computing, Artificial Creativity |
| Algorithms in Art | 4280 | Magda Stanová |
PhD in Fine Arts |
2016 |
Academy of Fine Arts in Prague | Tomáš Van?k |
fine art |
creative process, perception of art, fade rate, algorithm, pleasure, fitness function, ambiguity, trigger miners, thrill combo |
| All-Women Initiatives in Art and Technology 1986-2020. Atenea: Mentoring and Networking Project in STEAM | 4100 | Robles Mateo, Elena |
PhD |
2020 |
Universitat Politècnica de València | Lloret Romero, María Nuria |
Departamento de Comunicación Audiovisual Documentación e Historia del Arte / Digital Art Theory-History |
All-women, self-organized, initiatives, new media arts, art, technology, mapping, alternative art spaces, collaboration, segregation, ICT, digital age, virtual, community, network cultures, feminism, cyberfeminism, Atenea, STEM, girls, organizational, cur |
| ALMOST IMMORTAL: AESTHETIC RITUAL AND BIOLOGICAL MUTATION | 3149 | Alex Metral |
MFA Critical theory and Studio. |
2004 |
Maine College of Art | George Smith, Iain Kerr, Katarina Weslien |
Philosophy, Art, Science. |
aesthetic life-extention actant immortality genetic |