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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Gaming in Art | 3260 | Marc Boucher |
MAFA |
2005 |
University of the Witwatersrand, Johannesburg, South Africa | Christo Doherty |
Digital Arts |
art games, mods, videogames, new media, |
| Monster Camera: Creating perpetually unique horror experiences using disempowerment, reflection and uncertainty to imply a threat within video games | 4054 | Nicolaas Remmert Spreeth |
MA Digital Arts |
2020 |
University of the Witwatersrand | Raymond Whitcher |
Wits School of Arts |
Horror, Suspense through disempowerment, Procedural Generation, Research Tool. |
| A historical enquiry into the animation unit, situated within the South African Broadcasting Corporation (SABC) 1976-1988 | 3563 | Shanaz Shapurjee |
MA |
2009 |
University of the Witwatersrand | Christo Doherty, Maureen Furniss |
Animation |
animation; television; apartheid; broadcasting; south africa; empirical; history |
| The Sublime in Interactive Digital Installation: An analysis of three artworks: Listerning Post, Translator II: Grower, The Cloud Harp | 3465 | Tegan Bristow |
Masters in Digital Arts (MA) |
2007 |
University of the Witwatersrand | Christo Doherty |
Digital Arts - Interactive Digital Media |
Sublime, Interactive Digital Installation, Nature and Technology |
| Review and development of techniques for studying cellular biophysics with high frequency ultrasound | 4028 | Maja Herrie |
PhD |
2016 |
University of the West of Scotland | Katherine Kirk, David Hutson |
Thin Films, Sensors and Imaging/Bioacoustics |
Biophysics, Ultrasound, Molecular bioacoustics, Interdisciplinary, Philosophy |
| Phase Space Portraits of the Nuestra Señora delos Dolores of Baclayon | 3358 | Fatima Lasay |
Master of Fine Arts |
2002 |
University of the Philippines | Santiago Albano Pilar |
Graduate School Program, College of Fine Arts |
recurrence plots, religious sculpture, dynamical systems, glass engraving, |
| Arte y precariedad. Nociones. Preceptos. Apegos. Contextos. Experiencias / Art and precariousness. Notions. Precepts. Bents. Contexts. Experiences. | 3938 | Arturo Cancio Ferruz |
Ph. D. |
2018 |
University of the Basque Country UPV/EHU | Concepción Elorza ibáñez de Gauna |
Department of Art and Technology, Faculty of Fine Arts |
Precariousness, art, labour market, economic activity, artistic practice, aesthetics of precariousness |
| The digital txalaparta: An analysis of the txalaparta through software development | 4222 | Enrique Hurtado |
Fine Arts |
2015 |
University of the Basque Country EHU/UPV | Josu Rekalde, Thir Magnusson |
Art and technology |
txalaparta, software, generative |
| The Tree of Art. A Trans-sensorial and Intersubjective Matrix for a Non- visual Art and for the Silence of the Artistic I. | 3469 | Cristina Miranda de Almeida |
European Phd Thesis |
2006 |
University of the Basque Country | Inmaculada Jiménez Huertas |
Department of Drawing, Faculty of Fine Arts |
art, science, trans-sensoriality, intersubjectivity, multidimensionality, silence of the artistic I, co-creation, sensitive models, tree of art matrix, creativity, trans-disciplinarity, sensorial perception, memory, intuition. |
| From the virtual to the physical: expanding the boundaries between art and life through emersive digital games | 3798 | Samue Gallastegui González |
PhD |
2016 |
University of The Baque Country | Cristina Miranda de Almeida de Barros |
Art and Technology |
Art, Video games, Emersion, Serious games, gamification |