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| Thesis Title | LGA ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Artistic anti-fraud activism against online advance fee fraud | 3641 | Andreas Zingerle |
PhD |
2016 |
University of Art and Design Linz, Austria | Gitti Vasicek |
Department of Media |
419 scam, vigilante communities, artivism, computer mediated communication, scambaiting |
| A INTERFACE NA E-HEALTH. Proposta de princípios de design para a credibilidade e a confiança. | 4000 | Andreia Pinto de Sousa |
PHD |
2017 |
Universidade de Aveiro e Universidade do Porto | Ana Margarida Pisco Almeida |
Departamento de Comunicação e Arte |
Interface, Human-Computer Interaction, Design Principles, Trust, Credibility, e-Health |
| Latent State: a theoretical and practical study of Live Cinema | 3300 | Andres Colubri |
Master in Fine Arts |
2009 |
University Of California, Los Angeles | Erkki Huhtamo, Casey Reas, Jennifer Steinkamp, Daniel Shiffman |
Design Media Arts/Live Cinema |
Performance, Live Cinema, Real-Time, Space Shuttle, Challenger, Childhood |
| Machine Metaphysics: Descartes, the Mechanization of Life, and the Dawn of the Posthuman | 3307 | Andres Vaccari |
PhD |
2006 |
Macquarie University | John Sutton, Jean-Philippe Deranty |
Philosophy |
posthumanism, Descartes, science and technology studies, machine, organism, life sciences, scientific revolution, physiology, medicine, biology |
| Generative Art as Experiment | 3658 | Andres Wanner |
Master of Applied Arts in Visual Arts |
2013 |
Emily Carr University of Art and Design, Vancouver, Canada | Ingrid Koenig, Maria Lantin, Dr. Karmen Franinovi?, Dr. Chris Jones |
Visual Arts |
Mechanical drawing machines, Robotics, Art and Science, Generative Art, Appropriation, Glitch |
| The InterHarmonium : An Investigation into Networked Musical Applications and Brainwaves | 3441 | Andrew Brouse |
MA |
2002 |
McGill University | Philippe Depalle, Bruce Pennycook |
Music Technology |
Brainwaves, Networks, Music |
| Cinematic Affect in a Time of Ecological Emergency | 104225 | Andrew Denton |
PhD |
2016 |
Monash Univesrity | Jan Bryant |
Art, Design, & Architecture |
ecological emergency, environmental ethics, environment, ethics, affect, cinema, hyperobjects, oil, slow cinema, politics of aesthetics, climate change, global warming, consumerism, art and science, petrocapitalsm, capitalism, green economics, environmental philosophy, sensation, emotion |
| Playtime in the White Cube - game art: between interactive art and video games | 3363 | Andrew Hieronymi |
Masters of Fine Arts (MFA) |
2005 |
University of California at Los Angeles (UCLA) | Erkki Huhtamo, Casey Reas, Victoria Vesna, Mark Hansen |
Design|Media Arts / New Media |
game art, video games, interactive art |
| Evolving Performance Control Systems for Digital Puppetry | 3234 | Andrew Joseph Alexander Gildfind |
Doctor of Philosophy |
2001 |
RMIT University | Ghassan Al'Qaimari, Michael Gigante |
Computer Science |
Performance animation, motion capture, performance control systems, puppetry, interactive evolution, genetic programming, adaptive user interfaces, usability, human-computer interaction |
| Interpreting Electroacoustic Audio-visual Music | 4276 | Andrew Knight-Hill |
PhD |
2013 |
De Montfort University | Leigh Landy, Bret Battey |
Music |
Practice Research, Audience perception, interpretation, meaning |