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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Towards a Species Songbook: Illuminating the Vocalisations of the Australian Pied Butcherbird (Cracticus nigrogularis) | 3480 | Hollis Taylor |
Doctor of Philosophy |
2008 |
University of Western Sydney, Australia | Michael Atherton, Garth Paine |
School of Contemporary Arts |
birdsong, pied butcherbird, zoömusicology, notation, sonogram |
| Personal Media and Wireless Cities: Towards an Urban Spatial Analysis | 3356 | Molly Hankwitz, PhD. |
Doctor of Philosophy |
2011 |
Queensland University of Technology, Brisbane, Australia | Terry Flew (QUT), Stephen Wilson, SFSU, San Francisco CA |
Media and communications |
wirelessness, personal media, mobile, urban, spatial, mobility, gender, networked |
| Participatory Media: Visual Culture in Real Time | 3351 | Daniel Palmer |
Doctor of Philosophy |
2004 |
University of Melbourne | Chris Healy |
Cultural Studies |
digital media, digital culture, visual culture, media art, new media art, reality tv, webcams, news media, computer games, media theory, real time |
| Novel Methodologies for Developing Medical and Scientific Animated Narrative | 3334 | Joseph William Brock |
Doctor of Philosophy |
2008 |
Goldsmiths College, University of London | Mark d'Inverno, Jane Prophet, Janis Jefferies |
Department of Computing, Goldsmiths Digital Studios University of London |
Methodology, Narrative, New Digital Media Techniques, Participatory action research |
| fieldwork/fieldwalking: art, sauntering and science in the walkingcountry | 3247 | Perdita Phillips |
Doctor of Philosophy |
2007 |
Edith Cowan University | Nien Schwarz |
Visual Arts |
science and art, walking, fieldwork, place, belonging, nonhuman, feral, wildness, wonder, sound art, conversational aesthetics, non-representational theory, processes of silence, the walkingcountry, Kimberley, Australia, site-specificity, FutureNatural |
| Fields of Interaction: From Shadow Play Theatre to Media Performance | 3246 | Aleksandra Dulic |
DOCTOR OF PHILOSOPHY |
2006 |
SIMON FRASER UNIVERSITY | Ron Wakkary, Laura Marks, Martin Gotfrit |
School of Interactive Arts and Technology, Faculty of Applied Sciences |
Computatinal Poetics; Media Perfomance; Shadow Play; Ritual; Interactive Media Art; Antecedents of Contemporary Media Art |
| Evolving Performance Control Systems for Digital Puppetry | 3234 | Andrew Joseph Alexander Gildfind |
Doctor of Philosophy |
2001 |
RMIT University | Ghassan Al'Qaimari, Michael Gigante |
Computer Science |
Performance animation, motion capture, performance control systems, puppetry, interactive evolution, genetic programming, adaptive user interfaces, usability, human-computer interaction |
| Artefacts, Technicity and Humanisation: industrial design and the problem of anoetic technologies | 3164 | Stephen James Thompson |
Doctor of Philosophy |
2008 |
University of Plymouth | Dr. Michael Punt, Mr Robert Pepperell Mr Mike Phillips |
School of Computing, Communications & Electronics/Industrial Design Philosophy |
industrial design, design philosophy, technicity, artefacts, scale. |
| Antarctic animation: gestures and lines describe a changing environment | 3154 | Lisa Roberts |
Doctor of Philosophy |
2010 |
University of New South Wales | Simon Pockley, John Hughes |
College of Fine Arts/Media Arts |
animation, artistic, Antarctica, dance, drawing, climate change, communication, gesture, improvisation, on-line, perceptions, practice-based, scientific |
| Aesthetics and Hyper/aesthetics: Rethinking the Senses in Contemporary Media Contexts | 3142 | Melanie Swalwell |
Doctor of Philosophy |
2002 |
University of Technology, Sydney | Norie Neumark |
Faculty of Humanities and Social Sciences |
senses, aesthetics, technology, affect, intensity, hyper, experience, experimentation, LAN, games, shock, anaesthetics, innervation, audience |