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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Un-Natural Histories: The Specimen as Site of Knowledge Production in Contemporary Art | 3644 | Helen Gregory |
Doctor of Philosophy |
2016 |
University of Western Ontario | Bridget Elliott |
Visual Arts/Visual Culture |
Natural History, Taxidermy, Bioart, Art-science Collaboration, Museum Studies, Natural History Collections, Natural History Specimens, Taxonomy, Cabinet of Curiosities, Chimera, Genetic Manipulation, Tissue Culture |
| Ubiquity and Fluidity | 3491 | Rob La Frenais |
Phd |
2005 |
Brunel University, London UK | Barry Edwards (Reader) |
School of Arts |
science, technology, performance, fluidity, ubiquity, practice-based, contestable data, microgravity |
| Tuning Sensory Terroir: Mapping correspondences between sound and wine in a crossmodal art practice | 4226 | Jo Burzynska |
PhD |
2020 |
University of New South Wales | Douglas Kahn, Lindsay Kelley, Susan Bastian |
Art & Design |
crossmodal art, crossmodal correspondences, sound, wine, multisensory |
| Tropism-oriented generative design: analogical models for heterogeneous goal integration | 3490 | Victor Bunster |
Master of Philosophy (MPhil) |
2011 |
The University of Melbourne | Bharat Dave, Stanislav Roudavsky |
Architecture |
generative architecture, design computation, tropism analogy, goal integration, social housing |
| Travels in Intertextuality: the autopoetic identity of remix culture | 3489 | Joel Anthony Flynn |
Master of Applied Science |
2006 |
Simon Fraser University | Mike Dobson, John Bowes |
Interactive Arts and Technology |
: digital culture; psychology; emergence; value; method; metaphor |
| Transparency, Cognition and Interactivity: Toward a New Aesthetic for Media Art | 3488 | Brigitta Zics |
PhD |
2008 |
University of Wales | Martha Blassnigg, Phil Culverhouse, Prof. Michael Punt |
Art & Technology |
interactive media art, cognition, consciousness, interactivity, technology, transparency, invisibility, immateriality, spectatorship, aesthetics, immersion, transparent medium, passive interaction, Transparent Act, Mind Cupola, affective environment, cogn |
| Transitive: Immersive Visualization of Real Time Network Transfers | 3487 | Eugene Han |
Master of Fine Arts in Electronic Visualization |
2004 |
University of Illinois at Chicago | Drew Browning, Daniel Sandin, Dana Plepys, Jason Leigh, Franz Fischnaller |
Art and Design |
networking, visualization, real-time, 3D graphics, camera tracking |
| Transient communication systems: A system-theory reading of interactive digital installation art | 3486 | Falk Heinrich |
PhD |
2005 |
University of Aarhus, Denmark | Janek Szatkowski, associated |
Institute of Asthetic Disciplines |
system theory, interactive installation art, aesthetics,avantgarde, body, communication |
| TRANSGENIC BACTERIA, BRUSHES AND LAB BENCH: experimentation between Science and Art territories | 3861 | Fabíola Simões Rodrigues da Fonseca |
PhD |
2017 |
Universidade Federal de Uberlândia | Daniela Franco Carvalho, Joe Davis |
Education |
bioart, Science and Art, schizoanalysis, transgenic art |
| Transforming Realities: integrated coastal zone management, sustainability, and connective aesthetics | 3485 | Tanja Geis |
Masters of Resource Management (MRM) in Marine and Coastal Management |
2010 |
University Centre of the Westfjords, University of Akureyri | Alan Boldon |
Marine and Coastal Management |
art, connective art, connective aesthetics, relational art, environment, sustainability, environmental management, integrated coastal zone management, systems thinking, stakeholder participation |