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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| A Road Map for a City of the Future | 3840 | Vicente Esteban Perez (Vinny Montag) |
Information Experience Design (MA) |
2017 |
Royal College of Art | Monika Parrinder |
Design. School of Communication |
design think tank future cadiz urban organic smart employment |
| Three-dimensional computer animation : Between tradition and artistic innovation | 3475 | Verónica CAMACHO CAMACHO |
PhD |
2004 |
UNIVERSITÉ PARIS 8 — VINCENNES SAINT-DENIS | Edmond COUCHOT |
Aesthetics, Sciences and Technologies of Arts |
Three-dimensional computer animation, numerical technologies, simulation, cinema |
| may the mice bite me if it is not true | 3311 | verena kaminiarz |
MSc Biological Art |
2008 |
University Of Western Australia | Ionat Zurr |
SymbioticA, School of Anatomy and Human Biology |
Biological Art, |
| The Phantasmagoric Dispositif – an Approach to Uncanniness | Vera Wittkowsky |
Master's |
2021 |
The University of Art and Design Linz | Christa Sommerer |
Philosophy of Technology, Media Archaeology, and Media Theory |
phantasmagoria, art of projection, magic lantern, media archaeology, media theory, theories on the uncanny, cinematic, multimedia techniques, dispositif, dispositive, immersive, dark ride, phantasmagoric artworks |
|
| From interaction to post-participation: the disappearing role of the active participant | 4053 | Varvara Guljajeva |
PhD |
2018 |
Estonian Academy of Arts | Raivo Kelomees, Pau Waelder |
Art and Design, Doctoral School |
Interactive art, post-participation, surveillance, interactive systems, hybrid art, practice-based research, post-digital |
| Prácticas divergentes de preservación del arte de los medios. Recordar y olvidar en la cultura digital [Divergent Practices of Media Art Preservation. Remembering and Forgetting in the Digital Culture] | 3651 | Vanina Yael Hofman |
PhD |
2016 |
Universitat Oberta de Catalunya | Pau Alsina, Natàlia Cantó Milà |
Internet Interdisciplinary Institute (IN3) |
Ecology of practices, Preservation, Archive, Media Arts, Argentina |
| Containing and Holding: A Psychosocial Approach to Curating Digital Art About Mental Distress | 3908 | Vanessa Bartlett |
PhD |
2019 |
University of New South Wales | Lizzie Muller, Jill Bennett |
Curating |
Curating; Digital Art; Psychosocial; Mental Health; Care |
| Glocal Vagabondage: Nomadism as a Tactical Use of Information and Communication Technology | 3263 | Valeska K. Buehrer |
Master of Arts in European Media |
2006 |
University of Portsmouth/ Merz Akademie Stuttgart | Olia Lialina, Dr. Helmut Draxler |
New Media Studies |
ICT, Tactical Media, Flexible Response, Unhierarchical Networks, Alternative Forms of Collaborations |
| Virtual Art in the Museum and Beyond | 4099 | Valeria Facchin |
MA Curating the Art Museum |
2019 |
Courtauld Institute of Art | Martin Caiger-Smith |
Curating |
Keywords: Virtual Art, Museum, Collection, Digital Preservation |
| 3047: A dark room body | 3988 | Valentina Serrati |
MA Digital Media & Cultural Technologies |
2017 |
Goldsmiths University of London | Sarah Kember, Denise Doyle |
New Technologies of Communications |
Biotechnologies / technoscience/ artificial life / future life forms / autonomous agency /embodiment/ cyberfeminism/ performativity/ lived experience |