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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| The Gesturing Screen: Art and screen agency within postmedia assemblages | 4296 | Charu Maithani |
PhD |
2021 |
University of New South Wales (UNSW) | Anna Munster |
screens; gestures; postmedia |
|
| A Virtual Architecture Framework for Immersive Learning Environments | 4295 | Pierre-Francois Gerard |
PhD |
2021 |
Goldsmiths University of London | William Latham, Frederic Fol Leymarie |
Computing |
Virtual Architecture Framework, Immersive, VR |
| AutoGraff: towards a computational understanding of graffiti writing and related art forms | 4293 | Daniel Berio |
PhD |
2021 |
Goldsmiths, University of London | Frederic Fol Leymarie, Rebecca Chamberlain, Prof. Luca Citi |
Computing |
Graffiti, Motor Control, Calligraphy, Computer graphics, CAGD, Graphonomics, Shape |
| Digitizing the Aura: A Systems Update for the Contemporary Art World | 4292 | Emilie Trice |
Master of Arts |
2020 |
University of Denver | Rafael Fajardo, Timothy Weaver, Shimelis Assefa |
Emergent Digital Practices |
Art history, Art market, Blockchain, Computational philosophy, Cybernetics, Networked cultures |
| Parafiction as Method and Matter | 4291 | Rebecca Smith |
Doctor of Philosophy |
2020 |
Liverpool John Moores University | Colin Fallows, Joasia Krysa, Mark Wright |
History of Art and Fine Art |
Art History, Artistic Practice, Contemporary Art, Digital, Fiction as Method, Internet, Matter, Parafiction, Technology |
| Peep Media in Digital Times: "Track-track: Let’s follow the cat!" A reflection on children’s data processing through a microworld | 4290 | Maria Esperanza Sasaki Otani |
Master of Arts |
2021 |
Universität für künstlerische und industrielle Gestaltung – Kunstuniversität Linz | Univ.-Prof. Mag.art. Manuela Naveau PhD, Univ.-Prof. Dr. Christa Sommerer & Dr. phil. Penesta Dika |
Interface Cultures / Media Institut |
Peep media, peep show, biometric data, data processing, children's rights in digital times |
| Programmoire: refiguring the archetype of the witch for a political agency in the technocapitalist present | 4289 | Batool Desouky |
Masters of Fine Art in Computational Art |
2020 |
Goldsmiths, University of London | Helen Pritchard |
Computing |
technology, magic, tech-magic, technosolutionism, agency, archive, magic squares, combinatorics |
| Synaesthetic Sanctuary | 4288 | William Shaw |
Masters of Design Innovation |
2021 |
Victoria University of Wellington, School of Design | Anne Niemetz |
Media Design |
Audio-visual, bird song, New Zealand, generative design |
| The Transition and Practice of Subjectivity: Interactive Art Driven by Biosignals | 4287 | Chiao-chi Chou |
Master of Science |
2020 |
National Tsing Hua University | Chia-Wei Li |
International Intercollegiate Ph.D. Program. |
Bio-IoT,Empower,Bio-art,biosignal |
| Research and Development of an Active BiOlfactory Display and Its Integration with Virtual Reality | 4286 | You-Yang Hu |
Master |
2021 |
National Taiwan University | Yi-Ping Hung, Jin-Yao Lin |
Graduate |
olfactory experience, olfactory display, vortex generator, vortex ring, virtual reality |