Click on a column header to sort the table in ascending or descending order
| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Real and Imaginary Places: The Experience of Sound, Memory, and Space | 4315 | Cathleen Rose Grado |
M.F.A |
2021 |
University at Buffao | Mark Shepard, Cort Lippe, Reinhard Reitzenstein |
Media Study/Sound Art |
sound art, sound experience, architecture, listening, presence, installation |
| Craft Fiction | 4314 | Karen Modrei |
MFA |
2021 |
Konstfack, Stockholm | Andrea Peach |
Craft, Textiles |
craft process, dialogue, fiction, domestic knitting machine, empathy, language, technology, techno-hippie, heteroglossia |
| Digital light as a factor in the formation of technogenic sensuality (on the example of the works of Refik Anadol) | 4313 | Olga Shchedrina |
M.A. |
2021 |
Russian State University for the Humanities (RSUH) | Irina Zakharchenko |
Cultural Studies |
media theory, media studies, digital light, technogenic sensuality, techno-human condition, light art |
| Large String Array | 4312 | Cameron Fraser |
Doctor of Philosophy |
2021 |
University of Washington | Juan Pampin |
DXARTS |
sound art, installation, automatic instrument, structure borne sound |
| Dark Design: Methodology for Ethics of Generative Modeling Practices in Biodesign Based on Machine, AI and Animal Ethics | 4311 | Matej Vakula |
Ph. D. |
2021 |
Kathryn High, Shawn Lawson, Oron Catts, Robert Nideffer |
Electronic Arts / Bioart |
bioart, biodesign, bioethics, ai ethics, machine ethics, animal ethics, generative modeling, biotechnology, organ printing, tissue printing, bioprinting, sciart, nonhuman, posthuman, anthropomorphism, correlationism, transhumanism, neural, embryonic stem |
|
| Computer Generated Text and Hybrid Writing: Creative and Ethical Dimensions | 4310 | Geoff Davis |
MPhil |
n/a |
University of the Arts London | Mick Grierson |
Creative Computing Institute |
Human-computer collaboration; co-creativity; generative art; writing support; natural language processing; text generation; writing tools, creativity support tools; user interface; user experience; future of jobs; employment; automation; story generator |
| Biometric data art : personalized narratives and multimodal interaction | 4309 | Yoon Chung |
PhD |
12/09/16 |
University of California, Santa Barbara | Curtis Roads |
Media Arts and Technology |
biometric art, interactive art, data visualization, data sonification, biometrics, multimodal interaction, personalization, personalized narrative |
| Stage lighting: An investigation of the relationship between text and lighting design | 4308 | Lia Michali |
MA |
2021 |
Hellenic Open University | Melina Mascha |
Lighting Design |
Stage Lighting; Lighting Design; Dramaturgy |
| What does the Internet look like?: Models of Planetary Scale Computation | 4307 | Ekaterina Kormilitsyna |
MRes ( Master of Research) in Art and Design |
2020 |
Cardiff Metropolitan University | Stephen Thompson |
Art & Design |
digital worldbuilding; politics; aesthetics; aesthetics of politics; digital agency |
| Movement and Orientations: Four Interactive Installations from Latin America | 4306 | Erandy Vergara-Vargas |
Doctor of Philosophy |
2016 |
McGill University | Christine Ross, |
Art History |
Movement, interactivity, Latin America, installations, embodiment, orientations |