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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| The Gender Generator: Towards a Brain-Computer Interface for the Evocation of Gender Dysphoria Symptoms | 4047 | Josh Urban Davis |
M.S. Computer Science and Digital Arts |
2018 |
Dartmouth | Michael Casey, Michael Casey, Grace Leslie |
Computer Science and Digital Arts |
Brain-computer interface, gender studies, image generation, biofeedback, surveillance capitalism, sound generation |
| Silicon Luthiers: Contemporary Practices in Electronic Music Hardware | 3695 | Ezra J. Teboul |
Master of Arts |
2015 |
Dartmouth College | Spencer Topel, Michael Casey, Aden Evens |
Digital Musics |
|
| Physical Interaction with Electronic Instruments in Devised Performance | 3972 | Neal Spowage |
PhD |
2016 |
De Montford University | John Richards, Simon Emmerson |
Music Technology |
Interaction, documentation, collaboration, devising, Effort, Work, Labour, Gender, performance, dance, music. |
| A Hyper-media & Project-based Approach to Music, Sound & Media Art | 3578 | Marinos Koutsomichalis |
PhD |
2015 |
De Montfort University | John Richards, Simon Emmerson |
Technology |
hypermediacy, sound art, music, media art, site-responsive, project, exploration |
| From Connected Digital Art to Cybernetic Ecologies | 4186 | Sean Clark |
PhD |
2018 |
De Montfort University | Ernest Edmonds |
Computational Art |
computerational art, systems theory, digital art |
| Interpreting Electroacoustic Audio-visual Music | 4276 | Andrew Knight-Hill |
PhD |
2013 |
De Montfort University | Leigh Landy, Bret Battey |
Music |
Practice Research, Audience perception, interpretation, meaning |
| Algorithmic Meta-Creativity: Creative Computing and Pataphysics for Computational Creativity | 4251 | Fania Raczinski |
PhD |
26/09/2017 |
De Montfort University | Hongji Yang, Andrew Hugill, Prof. Jim Hendler, Prof. Sophy Smith |
Institute of Creative Technologies / Computer Science - Software Engineering |
Pataphysics, Creative Computing, Artificial Creativity |
| Towards a Practitioner Model of Mobile Music | 4050 | Steve Jones |
PhD |
2020 |
De Montfort University | John Richards, Bret Battey |
Music, Technology and Innovation |
mobile, music, sound, performance practice, media, apps, walking |
| Studio Bench: the DIY Nomad and Noise Selector | 4033 | Amit D Patel |
PhD |
2019 |
De Montfort University | John Richards, Leigh Landy |
Music |
sound, making, noise, studio, DIY, nomad, object, live, practice, music, Studio Bench, Noise Selector, DIY Nomad. |
| Temporal and Spatial Coherence: chronological and affective narrative within holographic and lenticular space. | 4011 | Pearl John |
Ph.D. |
2018 |
De Montfort University | Martin Richardson, Ernest Edmonds and Benedict Carpenter |
Holography/contemporary art |
Holography, digital holography, contemporary art, memory, holographic space |