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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Copy Art Histories: The emergence of the photocopy machine in the 20th century art and its role as Historical Media Art. Tendencies and thematic cartography of Copy Art | Beatriz Escribano Belmar |
Cum Laude |
2017 |
University of Castilla-La Mancha, Spain | José Ramón Alcalá Mellado |
Art Department |
Historical Media Art, Media Archaeology, Media Art, Electrography, Copy Art |
|
| Copy Art Histories: The emergence of the photocopy machine in the 20th century art and its role as Historical Media Art. Tendencies and thematic cartography of Copy Art | 3796 | BEATRIZ ESCRIBANO-BELMAR |
Cum Laude |
2017 |
University of Castilla-La Mancha, Spain | José Ramón Alcalá Mellado |
Art Department |
Historical Media Art, Media Archaeology, Media Art, Electrography, Copy Art |
| Resemblance and Representation | 3387 | Ben Blumson |
PhD |
2007 |
Australian National University | Daniel Stoljar |
Philosophy |
Depiction; Pictures; Resemblance; Representation; Goodman |
| Understanding Fukushima. Designing for an embodied interaction with citizen science data | 3494 | Ben Dromey |
MA in New Media |
2012 |
Aalto University, School of Arts, Design and Architecture | Pipsa Asiala, Koray Tahiroglu |
Department of Media/ New Media |
Fukushima, ionising radiation, New Media, embodied interaction, phenomenology, Merleau-Ponty, citizen science, aes- thetics of interaction, sonification |
| _derivations and the Performer-Developer: Co-Evolving Digital Artefacts and Human-Machine Performance Practices | 3935 | Benjamin Carey |
PhD |
2016 |
University of Technology, Sydney | Associate Andrew Johnston, Jon Drummond |
Music Technology |
Interactive Music, Improvisation, Creative Coding, Reflective Practice, Computer Music, New Interfaces for Musical Expression, Electronic Music, Live Algorithms, Music, Music Composition, Music Performance, Music Technology, Musical Metacreation, Computat |
| A Machine that Dreams: An Artistic Enquiry Leading to an Integrative Theory and Computational Artwork | 3636 | Benjamin David Robert Bogart |
PhD |
2014 |
Simon Fraser University | Philippe Pasquier, Steven Barnes and Dr. Thecla Schiphorst |
School of Interactive Art and Technology |
Dreaming; Mind Wandering; Generative Art; Site-specific Art; Art-as-research; Cognitive Science |
| A Theory on Musical Translation | 3663 | Benjamin O'Brien |
PhD |
2015 |
University of Florida | Paul Koonce |
Music / Composition |
music, composition, translation, map, language, computer science, electroacoustic music, computer music |
| A developmental system for organic form synthesis | 3129 | Benjamin Porter |
PhD |
2011 |
Monash University | Jon McCormack, Alan Dorin |
Computer Science |
Morphogenesis, Developmental Model, Physical Simulation, Tetrahedral Mesh, Computer Graphics |
| EVERYONE PLAY: SOUND, PUBLIC SPACE, AND THE (RE)MAKING OF PLACE | 4252 | Betsey Biggs |
PhD |
2009 |
Princeton University | Perry Cook, Paul Lansky |
Music composition |
sound, space, place, public, play, walk, sound art |
| Converging Art and Science: Considering the Conditions in which Women and Girls enter STEM Subjects | 3800 | Bettina Forget |
MA Art Education |
2017 |
Concordia University, Montreal, Canada | Juan Carlos Castro |
Fine Arts, Art Education |
art education, STEM subjects, gender stereotypes, restrictive gendering practices, complexity theory, gender theory, feminist standpoint theory, institutional ethnography, performativity, communities of practice |