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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Art and Technology in the Second Half of the 20th Century: The Code as Paradigm | 3689 | José Oliveira |
PhD |
2016 |
Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa | Margarida Acciaiuoli, Jorge Martins Rosa |
Contemporary Art History |
Art and Technology, Code, Technoculture, New Media, Systems Aesthethics |
| Art and Technology: coherence, connectedness, and the integrative field | 4124 | Carlos Augusto Moreira da Nóbrega |
Doctor of Philosophy |
2009 |
University of Plymouth - UK | Roy Ascott, Mike Phillips |
Faculty of Arts |
art, coherence, connectedness, field phenomenon, biophoton |
| Art for Environment, Art for Sustainability: The Art/Science Divide and the Role of Art in Environmental Discourse | 3160 | Emma Arnold |
Masters of Science, Environmental Sciences, Policy, and Management (MESPOM) |
2009 |
Central European University | Alan Watt |
Department of Environmental Sciences and Policy |
art, art/science divide, environment, environmental art, problem-solving, sustainability |
| Art I Facts | Emily Bujnoch |
MFA |
2022 |
Texas A&M University | Timothy McLaughlin |
Department of Visualization |
visualization, animation, fine arts, sculpture, 3D printing, taxidermy, macro photography, creature design |
|
| Art in the Information Age: Cybernetics, Software, Telematics, and the Conceptual Contributions of Art and Technology to Art History and Aesthetic Theory | 3161 | Edward Allen Shanken |
Ph.D. |
2001 |
Duke University | Hans Van Miegroet, WJT Mitchell |
Art History |
art, technology, software, information, conceptual, burnham, ascott, telematics, cybernetics, language, systems theory, information theory, robotics, telerobotics, kac |
| Art of Women: The Depression, Labor, and War | 3162 | Hatice Brenton |
MFA |
2003 |
Goddard College | Ruth Wallen, Susan Schantz |
Interdisciplinary Arts |
working women, painting, photography,documentary-based art, collage, digital art, sweatshop exhibition |
| Art on the Internet and the Digital Public Sphere, 1994 - 2003 | 3850 | Megan Driscoll |
PhD |
2018 |
University of California, Los Angeles | Miwon Kwon, Steven Nelson, Dr. Dell Upton, and Dr. Peter Lunenfeld |
Art History |
internet art, net art, public art, digital public sphere, contemporary art, internet, computer networks, web |
| Art, Art History and Systems-Theory | 3163 | francis halsall |
phd |
2004 |
university of glasgow | david hopkins, richard hooker, matthew rampley |
history of art |
systems theory, luhmann, art, history, modern, postmodern, historiography, chaos theory, complexity, cybernetics |
| Art, Drones and Hacktivism: The Invisible seen from Above | Joana Silva |
MFA |
2022 |
University of Lisbon - Faculty of Fine Arts | Mónica Mendes |
Multimedia Art |
Drone Art, Hacktivism, Counter-look, Augmented Reality, Interactive Installation |
|
| Art&Science: Towards Post-Disciplinary Curating | 3889 | Bilge Hasdemir |
MA |
2018 |
University of ?ód? | dr hab. Ryszard W. Kluszczy?ski |
Media Arts Cultures |
art&science, new media art, Third Culture, curating, post-disciplinarity |