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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| A practice-informed critique of technological posthumanism and its ideologies | 3132 | David Cecchetto |
Ph.D. |
2010 |
University of Victoria | Stephen Ross, Steve Gibson |
Interdisciplinary (English/Visual Arts), concentration in Cultural, Social, and Political Thought |
posthumanism; technology and culture; sound art; deconstruction; media art; aesthetics |
| Audience Interactivity and the Concert Hall Audience | 3168 | Lanier Sammons |
Ph.D. |
2012 |
University of Virginia | Matthew Burtner, Ted Coffey, Judith Shatin, Sarah Corse |
Music - Composition and Computer Technologies |
audience interactivity, audience-interactive music, music composition, music analysis, participatory music, social experience of music |
| The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement. | 3930 | Emit Snake-Beings |
PhD |
2016 |
University of Waikato, New Zealand | Lealand, Geoff, Schott, Gareth Richard Yeatman, Bevin |
Screen and Media |
DiY culture, Do-it-yourself, material engagement, material turn, techno-animism |
| Transparency, Cognition and Interactivity: Toward a New Aesthetic for Media Art | 3488 | Brigitta Zics |
PhD |
2008 |
University of Wales | Martha Blassnigg, Phil Culverhouse, Prof. Michael Punt |
Art & Technology |
interactive media art, cognition, consciousness, interactivity, technology, transparency, invisibility, immateriality, spectatorship, aesthetics, immersion, transparent medium, passive interaction, Transparent Act, Mind Cupola, affective environment, cogn |
| Immersive Ideals / Critical Distances | 3276 | Joseph Nechvatal |
Ph.D. |
1999 |
University of Wales College, Newport, Wales, U. K. | Roy Ascott, Jamie Brassett, Mike Punt |
Centre for Advanced Inquiry in the Interactive Arts (CAiiA) |
Immersion, Virtual Reality, Viractuality |
| Large String Array | 4312 | Cameron Fraser |
Doctor of Philosophy |
2021 |
University of Washington | Juan Pampin |
DXARTS |
sound art, installation, automatic instrument, structure borne sound |
| Silicone Love – Her Garden | 3960 | Chun Shao |
Doctor of Philosophy |
2019 |
University of Washington | Richard Karpen, Afroditi Psarra, James Coupe, Juan Pampin |
Center for Digital Arts and Experimental Media |
Mixed media installation, e-textiles, data-driven art, post-Internet aesthetics, Chinese gardens and Chinoiserie research. |
| Machines for Living | 3825 | Robert Twomey |
Ph.D. |
2018 |
University of Washington | Juan Pampin, Richard Karpen, Afroditi Psarra |
Digital Arts and Experimental Media |
smart home, le corbusier, bachelard, systems art, site specificity |
| Axial; a Sound Art Work of an Oceanographic Expedition | 3548 | Hugo Solís García |
Master of Science in Media Arts and Science |
2014 |
University of Washington | Juan Pampin, Richard S. Karpen, James Coupe, Bruce Hemingway |
Digital Arts and Experimental Media |
Axial Volcano, Digital Plurifocal Music, Electronic Art, Ocean Observatory Initiative, Oceanography, Sound Art |
| Modularity and Space Juxtaposition: Beyond Site-specificity in Art | 3321 | On Ni Wan |
Doctor of Philosophy (Digital Arts and Experimental Media) |
2012 |
University of Washington | James Coupe |
Digital Arts and Experimental Media |
Locative arts, networks of sites, modular structure, site-specific art, mobile technologies |