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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Breathing Injustice | 4149 | Todd Linkner |
Master of Fine Arts in Information Design and Visualization |
2020 |
Northeastern University | Tad Hirsch, Sara Wylie, Paolo Ciuccarelli, Jennifer Gradecki |
College of Arts, Media and Design |
design, critical design, discursive design, situated design, workshop, asthma, environmental health, environmental justice, empathy, social determinants of health, transdisciplinary |
| Behind the Silicon Curtain: Computer Art in the Eastern Bloc | 3637 | Todor Bozhinov |
Master of Arts |
09/01/15 |
University of the Arts Bremen | Dr. Frieder Nake |
Digital Media |
computer art, history, computing, Eastern Bloc, Iron Curtain |
| The Ear of the Beholder: Ecology, Embodiment and Complexity in Sound Installation | 3432 | Tom Davis |
Ph.D |
2008 |
Queen's University, Belfast. | Pedro Rebelo |
Sonic Arts |
Complexity, Embodiment, Ecology, Sonic Art, Sound Installation, Enaction |
| DECOUPLING AND CONTEXT IN NEW MEDIA ART | 3529 | Tomás Laurenzo |
PhD |
2014 |
Universidad de la República | Álvaro Cassinelli, Franco Robledo |
New Media Art |
new media art, politics, geopolitics, decoupling, context, interaction |
| new media art | 3330 | Tomás Laurenzo |
Master of Science |
2009 |
Universidad de la República | Eduardo Grampín, Sergi Jordà |
new media art, computer science |
new media art, media appropriation, aesthetics, art theory, computer science, augmented reality, visual lutherie, digital lutherie |
| Qualities of Simplicity in designing interactive art | 4013 | Tomi Knuutila |
Doctor of Arts |
2018 |
University of Lapland | Eija Timonen, Jonna Häkkilä |
Faculty of Arts / Media science |
simplicity, interaction design, interactive art, constructive design research, climate change |
| The Culture and Phenomena of Cineclubs during Sixties in Yugoslavia and Influence of New Tendencies on GEFF Festival | 3429 | Tomislav Brcic |
Magistery work |
2006 |
Universita' di Bologna | Monica Dall'Asta |
Department for Arts, Music and Spectacular Disciplines |
film, abstract, experimental, GEFF, history, cinema undergrund, avanguard, author, antifilm, contrafilm, subversive film, structural film |
| Crosswise: Sharing Goals, Sharing Time | 3196 | Tor de Vries |
MFA |
2005 |
Parsons School of Design | David Kanter, Michael Gurstein (NJIT) |
Design & Technology |
Community informatics, information visualization, data analysis, cooperative planning, sociology, event calendars |
| Cross Connections:Online activism, real worldoutcomes | 3736 | Tracey M Benson |
PhD, New Media and Technology |
2010 |
Australian National University | Catherine Summerhayes |
New Media and Technology |
Internet, World Wide Web, Accessibility, Activism, Social Relations, Social Justice, Hacktivists,Online, Hackers, Identity, Net Activism, Tactical Media, Web Design, Virtuality, VirtualCommunities, Refugee, Borders, Alienation, Censorship, Blogging, Mass |
| Dynamic music: the implications of interactive technologies on popular music making | 4094 | Tracy Redhead |
Research Doctorate - Doctor of Philosophy (PhD) |
2020 |
The University of Newcastle | Richard Vella |
Music |
dynamic music; interactive technologies; reactive music; contextual music; interactive music; algorithmic music; popular music; future music; generative music; adaptive music; game audio; music composition |